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purple motes

Artifacts to help you imagine more.

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Highlights

  • Abelard castrated
  • Byzantine wife saves husband
  • Amphitryon & Geta duped
  • Chastelaine de Vergi tragedy
  • Aristotle’s advice to Alexander
  • Empress Theodora: woman leader
  • Tristan & Isuet
  • Xanthippe & Socrates
  • New Modern Sexism Scale

cento

A cento is a poem composed wholly from fragments from another poet’s work. The patchwork should be harmonized so as not to make the seams prominent and so that the new work has a unified sense. According to Ausonius, a cento should be composed from half lines and one-and-half lines; two successive lines from one source is permissible, but three lines represents a poetic failure. A small number of Virgilian centos (centos sourced from Virgil’s poems) and Homeric centos (centos sourced from the Iliad and Odyssey) have survived from antiquity. The most important of the former is Ausonius’s Cento nuptialis and Proba’s Cento Vergilianus de laudibus Christi. The most important of the latter is a Homeric cento on a wedding night from the Greek Anthology.

on first looking into Slavitt’s Ausonius: prolegomenon to prosaic studies

Slavitt’s Ausonius is an epiphany into prosody with meter of hypertext-hypertext syllable distance. Centos of Virgil & Shakespeare demand prosaic studies. … Read the post on first looking into Slavitt’s Ausonius: prolegomenon to prosaic studies

Homerocentones & Vergiliocentones from Jerome to Boccaccio and beyond

Jerome disparaged Homerocentones & Vergiliocentones, alluding to Proba’s Virgilian cento. Boccaccio and followers restitched Jerome’s words to praise Proba. … Read the post Homerocentones & Vergiliocentones from Jerome to Boccaccio and beyond

Ausonius and Proba on “love is war” and brutalizing men’s sexuality

Ausonius’ Cento nuptialis & Proba’s Cento Vergilianus de laudibus Christi, 4th-century Virgilian centos, challenge brutalizing men’s sexuality. Love isn’t war. … Read the post Ausonius and Proba on “love is war” and brutalizing men’s sexuality

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