
Galen on books, reading, and writing in second-century Rome
Galen’s newly recovered treatise, On the Avoidance of Grief / Avoiding Distress, vividly portrays the vibrant book economy in Rome about the year 193. Galen describes having copied many books “by my own hand,” declares that he wrote a new book by dictating it “as is my custom,” and expresses concern about being able to “keep up with what is said when someone reads a book to me.” He complains that a decaying papyrus roll is difficult to unroll, and laments a precious parchment codex that has been burned. He describes as necessary splitting large books whose length exceeds four thousand hexametric verses.[1]
Galen recognized the difficulties that scriptio continua creates. He describes:
books that, after correction, had been written by me onto a pure text, books with unclear and errant readings throughout the texts – planning to produce my own edition. The writings were worked to (the point of) accuracy so that neither was something added nor words taken away, not even a paragraphos – single or double, or a coronis – (a siglum) appropriately placed between books. What is there to say about the period or comma? As you know, they are very valuable in unclear books, so that one who pays attention to them does not need an interpreter.[2]
A paragraphos is a paratextual marker that typically marked the end of a sentence; a coronis typically marked the end of a work or a major section of a work. Galen’s concern for punctuation and textual correctness points to Galen’s wide-ranging scholarly attention to books apart from any school supporting oral recitation.
Libraries played an important role in disseminating books. Galen refers to “all the libraries on the Palatine,” libraries by the Temple of Peace, and the Tiberian house “in which there was also a library full of many other books.” These libraries had broad collections: rare books, common books, works of contemporary or near-contemporary authors, as well as “copies of books from many ancient grammarians were kept, also those of rhetoricians, physicians and philosophers.” The libraries had catalogs. Galen complains of books listed in a catalog but missing in the library, disparages readers “robbing” books from the libraries, and states that some bibliographic information in the catalogs is incorrect. Galen acquired some books by copying books in libraries. Galen made copies of his books at the request of friends who sought the books for a public library in Galen’s hometown, Pergamum. Galen observed that other friends had “already placed many of my works {in public libraries} in other cities.”[3]
Galen treatise describes how to avoid grief using his personal example of his recent loss that included many valuable books. These books burned in a major fire in Rome, probably in 192.[4] Other scholars and book-lovers suffered intense grief from the destruction of books in that fire:
when his books perished in the fire, Philides the grammarian – wasting away from discouragement and distress – actually died. And, for a long time, one after another went out in black garments, thin and pale like mourners.[5]
The phrase “one after another” suggests that those with large personal libraries were quite numerous. Their grief is a poignant counterpart to what must have been earlier much joy in books.
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Read more:
- early history of the codex
- effects of reading practices on para-textual organization
- the size of the Library of Alexandria’s book collection
Notes:
[1] The text of the treatise, which takes the form of a letter to a friend, was found in 2005 at the Vlatadon Monastery, Thessaloniki. The English translation of Rothschild & Thompson (2011) uses the traditional title for this work, On the Avoidance of Grief. Id. p. 110, n. 1 observes that this isn’t the best translation. Vivian Nutton’s forthcoming translation and commentary will title the work Avoiding Distress. The work is dated to 193 GC. On copying “by my own hand”, see Rothschild & Thompson (2011) trans. paras. 6,16, 19 (RT 6, 16, 19); dictating books, RT 84; reading books to Galen, RT 78b; decaying papyrus roll, RT 19; parchment codex, RT 33; four thousand verses, RT 28. Parchment was significantly more expensive than papyrus. Parchment was typically used only for more valuable books. Bagnall (2009) pp. 52-59, 79.
[2] RT 14. Words in parentheses RT added to clarify the translation.
[3] On libraries in Rome, RT 12b, 18; on collection scope, RT 13; on catalogs, cataloging mistakes, missing books, and book robbers, RT 16-18; on Galen copying library books, RT 12b, 17; on requests of friends for books for public libraries in other cities, RT 21. Galen’s On the Composition of Medications by Type (1.1) refers to “great libraries on the Palatine.” Cited and trans. in Houston (2003) p. 45.
[4]. A date of 191 is also possible, but less probable. On the date, see Houston (2003) p. 45, n. 3.
[5] RT 7. Nutton (2009) p. 19, n. 5, provides other relevant Galenic references that support a reading of Callistus the grammarian, rather than Philides. Nutton, reviewing Galen’s literary references, concludes that Galen’s range of knowledge was comparable to Plutarch’s. The books that Galen lost probably had such a range.
References:
Bagnall, Roger S. 2009. Early Christian books in Egypt. Princeton, N.J.: Princeton University Press.
Houston, George W. 2003. “Galen, His Books, and the Horrea Piperataria at Rome.” Memoirs of the American Academy in Rome, vol. 48, pp. 45-51.
Nutton, Vivian. 2009. “Galen’s Library.” Ch. 1 in Gill, C., Wilkins, J. and Whitmarsh, T. (eds) Galen and the World of Knowledge. Cambridge University Press.
RT: Rothschild, Clare K, and Trevor W. Thompson. 2011. “Galen: ‘On the Avoidance of Grief.'” Early Christianity, vol. 2, pp. 110–129.
sumptuous books in antiquity
An early sixth-century edition of Dioscorides De Materia Medica and the circa-800 Book of Kells are merely two of many sumptuous books that existed in antiquity. In a fire in Rome about 192, Galen lost many books, including “dearest to him — the books written on white silk, with black covers, for which he had paid a high price.”[1] The Romans imported Chinese silk via Egyptian ports after the Roman conquest of Egypt in 30 BGC. In Rome, silk was a luxury which, among other uses, provided transparent clothes for women.[2] Galen’s silk books were probably illuminated Chinese scrolls. Such books would have been exotic and precious to the Romans.
Illuminated manuscripts that have survived from the European Middle Ages are examples of an ancient tradition of manuscript illumination. In mid-ninth-century Baghdad, Hunayn ibn Ishaq copied text from:
works of the ancients in letters of purple, which is a red colour like wine, written with gold and silver, and letters written in gold, and designs written in other colours. At the beginning of the volume was a picture of the philosopher on a couch, and the pupils were represented in front of him. Till the present day the Greeks {Byzantines} do this with their books and psalters, writing (them) with gold and silver in letters of these colours, with a picture of the wise man represented at the beginning. If the volume contained several discourses, a distinction was made between each, and a picture of each philosopher was represented before his words. The books were covered with skins of leather and shagreen {a fancy binding material} in gold and silver.[3]
About 938, the Byzantine Emperor Romanos gave Caliph `Abd al-Rahmān “gifts of great value, including the book of Dioscorides, with pictures of herbs in the marvelous Byzantine style.”[4] The Byzantine style apparently meant beautifully illustrated.
Humans have highly valued knowledge, whether associated with persons called shamans or philosophers, since the beginning of humanity. Luxury goods are part of the common human currency of status marking. After the invention of writing about 5000 years ago, artifacts of knowledge made for particularly potent luxury goods.

Read more:
- luxuriously illustrated Shahnamas from the 14th to 16th centuries
- huge, illuminated choir books from the 13th to 15th centuries
- ancient pictorial story-telling
Notes:
[1] HP p. 164.
[2] See Wikipedia on Asian silk in the Roman Empire. Seneca the Younger early in the first century declared, “I can see clothes of silk, if materials that do not hide the body, nor even one’s decency, can be called clothes… Wretched flocks of maids labour so that the adulteress may be visible through her thin dress, so that her husband has no more acquaintance than any outsider or foreigner with his wife’s body.” Declamations, vol. I. Traders and traveling scholars moving between China and the Mediterranean may have also transmitted West some Chinese cosmological ideas.
[3] From Muhammad b. al-Ansari, Kitab adab al-falasifah (MS. Escorial 760), quoting what Hunayn ibn Ishaq stated. Trans. Dunlop (1952) p. 467-8, n. 2. I’ve removed a “(?)” inserted after the word “design” (which seems to me a plausible translation) and excised the descriptive phrases in the text, “Hunain b. Ishaq said.”
[4] HP p. 633.
References:
Dunlop, D. M. 1952. “The Dīwān Attributed to Ibn Bājjah (Avempace).” Bulletin of the School of Oriental and African Studies, University of London, Vol. 14,No. 3, Studies Presented to Vladimir Minorsky by His Colleagues and Friends, pp. 463-477.
HP: Ibn Abi Usaybi’ah, Ahmad ibn al-Qasim. English translation of History of Physicians (4 v.) Translated by Lothar Kopf. 1971. Located in: Modern Manuscripts Collection, History of Medicine Division, National Library of Medicine, Bethesda, MD; MS C 294. Online transcription.
courtiers' sprezzatura versus SEALs's training
The Book of the Courtier, one of the most widely printed books in sixteenth-century Europe, was a guide to success in Renaissance courts. A successful courtier projected sprezzatura:
It is an art which does not seem to be an art. One must avoid affectation and practice in all things a certain sprezzatura, disdain or carelessness, so as to conceal art, and make whatever is done or said appear to be without effort and almost without any thought about it….obvious effort is the antithesis of grace.
U.S. Navy SEALs are renowned for their extraordinarily tough training. Besieged by media questions after the SEAL operation that killed Osama Bin Laden, a retired SEAL explained:
They trained harder than anybody else in the world. They trained for the insertion, actions on the objective, lots of shooting in the shooting house, breaching, emergency medicine, commo, contingencies, hostage handling, intel searches, and for the extraction.[*]
The difference between courtiers’ sprezzatura and SEALs’ training is the difference between loss of face and having your head blown off.
Competitive circumstances have a large effect on practices.
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Read more:
- changes in forms of interpersonal competition over millennia
- rhetoric and reality of bird on Byrd
- Ibn Abi Usaybia in 13th-century Damascus status economy
Note:
[*] Mann, Don and Ralph Pezzulo (2011) Inside SEAL Team Six: My Life and Missions with America’s Elite Warriors, Little, Brown, and Company: New York, p. 10.
Wednesday's flowers
