Galeron & Ganor show medieval women’s initiative in love with men

Some women today expect men to do dirty, dangerous jobs such as garbage collecting, home repair, construction work, and infantry war-fighting. Some women today also expect men to take the initiative in amorous relationships, struggle through arduous love quests, and unconditionally support women’s choices. In contrast to the passive complacency of too many gender-privileged women today, medieval women tended to be active and generous in love for men. In particular, the women-heroes Galeron and Ganor in Gautier d’Arras twelfth-century romance Ille and Galeron {Ille et Galeron} vigorously and courageously loved the knight Ille.

Galeron, the daughter of the Count of Brittany, ardently loved the relatively lowly Ille. He was merely the son of the knight Eliduc. Rejecting much more eminent suitors, she married him. Ille nonetheless lacked self-esteem as a man. When he lost an eye in a joust, he left Galeron for fear that she would no longer love him. He told no one where he was going. He himself didn’t know.

Seeking her beloved Ille, Galeron quested around the whole known world. She borrowed a thousand marks against her land, gathered fourteen knights to protect her, and set out to find her husband:

They crossed the sea by ship
and arrived in Great Britain.
They went to the great mountain
in Wales, then crossed to Ireland,
then back to Northumberland.
All of the Scotland they then searched,
then rode through Norway,
then searched all of Denmark
and countless lands and marshes,
all of Frisia and Hungary,
Saxony and the whole of Slavonia,
but in vain they searched for him there.

{ et il passent mer a navie
et vienent en le grant Bretaigne;
en Gales a le grant montagne
vienent, puis passent en Illande,
puis revont en Nohuberlande ;
trestote Escoce ont puis cerquie,
puis ont Norouerge travescie,
puis cerkent tote Danemarce
et tante tere et tante marce,
trestote Frise et Hongerie,
Saissone et tote Esclavonie;
mais por noient le quierent la }[1]

They kept searching for Ille amid great danger until all the fourteen men protecting Galeron had been killed. They didn’t find Ille. He had made his way to Rome.

Galeron grieved for losing Ille and the fourteen knights who had served her. She understood that men’s lives matter. She understood that she, in her privileged position, was complicit in losing those men:

This much happened all by my sin —
that Ille felt so afflicted
because he had lost his eye.
God hates very much pride in women.
That can be seen well from the first woman.
And I am well-accustomed
to parading in squirrel fur and gray fur,
and dressed in very costly silk,
and wearing my laced robes and braids.
Much have I, also, to amend.
Because of me it was that Ille fled,
Because of me dead and buried are
those men who went with me to look for him.
Now I must pray to the Mother of God
and meekly to the apostle
that he would give me penance.

{ car ce mut tot par mon pecié
k’Illes se tint si a courcié
de ce qu’il ot perdu son oel.
Que Dix het mout en feme orgoel,
ce parut bien a le premiere,
et je sui assés costumiere
de traïner et vair et gris
et dras de soie de grant pris,
de moi lacier et de bender;
assés ai, lasse, a amender.
Par moi fu k’Illes s’en fuï,
par moi sont mort et enfoï
cil qui o moi l’alerent querre.
Or m’estuet Damediu requere
et l’apostole en passïence
que il me doigne penitence. }

Galeron thus journeyed to Rome. She told the pope about all that had happened. She confessed the sin of pride. The pope absolved her and gave her a light penance.

Galeron imposed on herself a harsh penance. A highly privileged woman who never previously worked for a living, she began to work as seamstress in a humble lodging in Rome. She prudently rented her lodging from a worthy, high-ranking Roman man. Many Roman men sought Galeron’s love. She rejected all of them. Her landlord ensured that no man would dare to attempt to rape her, a crime that few men would commit in any case. Galeron occupied herself with sewing and attending morning and evening church services. She had completely changed her life on her own initiative.

Much of Rome was meanwhile celebrating Ille’s prowess in violence against men. He had led the Romans in repelling a Byzantine invasion. He was a smart, fierce warrior, yet modest when not in battle. The Roman Emperor made Ille his seneschal. Despite his rise to eminence in Rome, Ille was sorrowful. He still loved his wife Galeron and grieved for being without her.

The emperor’s daughter Ganor fell in love with Ille. His modesty, well-reasoning mind, and handsome appearance attracted her. When she heard everyone speaking highly of him, she loved him even more. One day Ganor saw Ille in court dressed finely to meet her father the emperor. She was stirred with desire for him:

She looked down from her window, so she saw him coming.
With difficulty she kept herself from falling.
She saw that he was lovely and cultured,
and she saw those well-aligned limbs,
his beautiful mouth, and his beautiful face.
The beauty in him was so much
that she did not remember about his eye.
She thought about other things, as well she would.
Much other things there were for thinking.

{ regarde a val, sel vit venir;
a paine se pot soustenir.
Voit qu’il est biax et ensigniés,
et voit ces membres alignés,
sa bele bouce et son bel vis.
Tant a de bel en lui assis
que de son oel ne li sovient.
Aillors entent, ce li convient;
assés a aillors a entendre. }

Her thoughts are formed with the words “vit,” a low word that in Old French can mean penis, and “membre,” a sophisticated word that also can mean penis. How does it matter if Ille has only one eye? She thought about kissing him, and embracing him, and the joy of having him sexually penetrate her.

Ganor went to greet Ille. She sought his love. She didn’t ask him directly, for she thought that a king’s daughter shouldn’t do such a deed.[2] She told him:

Friend, what you do pleases me.
It is right that your lips kiss
the daughter of the king and queen,
and she should be at your command.

{ Amis, li vostre fais me plaist.
Drois est que vostre bouce baist
fille de roi et de roïne
et k’ele soit a vous acline. }

Her treated her respectfully, but he didn’t lover her. He had heard that Galeron had undertaken a long journey in search of him, and that she had not returned home to Brittany. His heart remained with Galeron, but Ganor’s heart had gone out to him.

Seeking to gain Ille as his son-in-law, the emperor arranged for the pope to urge Ille to marry Ganor. Ille told the pope that he wouldn’t. The pope insisted. Ille then said that he was already married to Galeron of Brittany and that he was grieving deeply because he didn’t know her whereabouts. The pope then proposed sending messengers to Brittany to seek information. If Galeron’s whereabouts weren’t known, the pope urged Ille then to marry Ganor. Such bigamy was illegal under church. But the pope solicitously told Ille:

If anything is done against the law,
all the sin will be on me.

{ Se faites rien contre la loi,
trestot le pecié preng sor moi. }

Ille acted contritely more rightly. Riding through Rome, he gave aid to the naked, the poor, and orphans, but not specifically widows. Ille knew that a man having lost his wife suffered just as much as a woman having lost her husband.[3]

Since Galeron couldn’t be found, Ille agreed to marry Ganor. Their marriage was proclaimed to take place in two weeks. Ganor, delighted to be marrying Ille, had aggressively pushed for a quick marriage:

No one heard news of this proclamation,
neither high nor low, not count nor duke,
without saying openly
that it had been done too suddenly.
Much you would hear them swear
that for four months at least should have endured
the banns of marriage, so that it would be well-known
and acknowledged by all.
But to Ganor that was much too long.
The couple should have been summoned to marriage,
so said the lovely one, very much earlier.
Then they could have had a long banns.
Ganor despised all those
who would delay the marriage contract.
Since this woman much sought it,
she felt neither pain nor sorrow in being married,
and when she was about to put the contract to her advantage,
she said, “Why was it not done immediately?”

{ Cele semonse n’entent nus,
ne haut ne bas, ne quens ne dus,
qui ne dient apertement
que trop l’ont fait sodainement.
Assés les oïssiés jurer
que .iiii. mois poroit durer
li bans al mains, qu’il fust seüs
et par trestout ramenteüs.
Mais a Ganor est il mout lonc:
on les deüst avoir semons,
ce dist la bele, tres antan;
lors se feïssent un lonc ban.
Ganors a tos ceus en despit
qui metent le plait en respit.
Des que la feme bien le veut,
ne mal ne sent ne se deut
et quan le plait doit metre a ués,
ce dist: “Por coi nel fist on lués?” }

As the emperor’s beautiful young daughter, Ganor was probably the most powerful person in the Roman Empire. She was accustomed to getting what she sought.

court of Anne of Bohemian and Richard II, queen and king of England

On the wedding day, Galeron noticed crowds rejoicing in the Roman streets and heading to Saint Peter’s church. Then she heard that a man named Ille was marrying the emperor’s daughter. She fainted. Her neighbors splashed water on her face to revive her and wrapped a bandage around her head. They told her that the great warrior Ille the Breton, savor of the Romans, was marrying Ganor, the emperor’s daughter. They didn’t know Galeron’s past. They scolded her for appearing distraught on this joyous wedding day.

Galeron went to Saint Peter’s church. She stood behind the door until she saw the groom, her husband Ille, coming. She was afraid to approach him for fear that the Romans would beat her for being insolent. She was afraid moreover that Ille would reject her. But if she did nothing, she regarded herself as responsible for Ille committing the sin of bigamy. She was in a difficult place:

Just then Ille entered the church.
The wretched woman, who was waiting for him there,
pushed herself forward and threw herself
as his feet. He raised her up,
and this annoyed and grieved the doorkeepers.
Leaping forward, they intended to strike her.
“Get back,” said Ille. “I see you are peasants.
Would you strike a lady in my presence?
Little do you know, it seems, about what is troubling her.
There is no civilized man who can too much
advise persons about their difficulties.
Every day is the time to do well,
to give advice, to speak well.”

{ Atant et cil entre el mostier.
Li lasse qui illoec l’atant
se met avant et si s’estant
as piés celui et il le lieve;
et as wisciers anoie et grieve:
salent avant, ferir le voelent
si com li huissier faire suelent.
“Fuiiés,” dist il. “Vilains vos voi.
Ferriés vos dame devant moi?
Poi savés, espoir, qui li nuist.
Il n’est hom sossiel qui trop puist
consilier gens de lor contraire.
Tos jors est saisons de bien faire,
de conseil doner, de bien dire. }

Galeron told Ille her name and her story. She gave him her blessings and asked only that the pope arrange for her to withdraw to a nunnery. That would make Ille’s second marriage licit. Ille was stunned, yet he retained his fine tactical mind:

Ille would have quickly kissed her,
but he feared the spitefulness
of the Romans, full of baseness.
Never would he eat bread again
if the Romans found out about it now —
if that spiteful and violent people
knew the full details
of the deed he planned to do.
The noble being, the good-natured one,
would be torn into 100 pieces.

{ Ciex le baisast isnelement,
mais il doute la felonie
des Romains pleins de vilonie.
Jamais ne mangeroit de pain
se or le savoient li Romain;
se la gent felenesse et fiere
savoient tote le maniere
de l’oevre que il cuide faire,
la france riens, la debonaire
seroit depicie en .c. pieces }

Still struggling with his lack of self-esteem as a man, Ille asked Galeron whether she resented him because he lost an eye. She responded with truth spoken in love:

I do not love your misadventure,
but I love you above all other beings,
and shall do so for as long as I live.
I regard as a drunken fool
any who is not displeased, who is not disturbed,
when her beloved has a bad situation,
but she should not despise him for it,
nor hate him more, nor love him less.

{ Je n’aim pas ta mesaventure,
mais toi sor toute creature,
et ferai tant com j’ai a vivre;
et celui tieng je mout a ivre
cui ne desplaist, cui ne messiet
quant il a son ami mesciet;
mes ne l’en doit mesaesmer,
ne plus haïr ne mains amer. }

Ille then summoned the pope. He fell at the pope’s feet and told him about his wife Galeron. Ille declared that he wouldn’t marry Ganor. Ille’s expected second wedding night became a night with his formerly lost first wife:

The joy of that night was more than ever before,
since nothing in the world, no matter how well crafted,
is worth as much as joy recovered.
That is so because for each who desires joy,
so much he is more deprived of it,
so much is his delight greater
when he is able to attain his joy.

{ Joie ot la nuit plus c’onques mais,
qu’el mont n’a rien si bien ovree
qui vaille joie recouvree;
car a cascun qui la desire,
de tant com il plus se consire,
de tant li est li delis graindre
quant il sa joie puet ataindre. }

The pope, the emperor, and particularly Ganor were utterly distraught at this extraordinary development.

Ille resolved to leave Rome with Galeron and return to Brittany. The Romans believed that, without Ille, their enemies would destroy them. They despaired. With her strong, independent womanly spirit, Ganor responded differently:

To Ganor that news was very loved and beautiful,
for she immediately knew well
that they all would die if Ille went away.
She would very dearly wish this,
and she would love it more than anything.
And all this was brought from Envy,
because she intensely hated her own life.

If Ganor had used the man
for whom she had desire,
never would she have sought company there,
but in this evil that was tormenting her,
that they all die with her was her wish,
to avenge her anger and her great pain.
She cried: “God and Saint Mary,
now to this death I have been called!
I who should well die alone,
now will see Rome perish around me.
Now my death will be more attractive,
because little will remain after it.
Now they no longer will be able to mock me —
not king, nor duke, nor count, nor baron,
because he who has defended Rome,
he from whom my death has come,
has left them to evil that’s fitting.
God grant that all this may come quickly!”

{ cui ele est mout amee et bele,
qu’ele set bien tout entresait
qu’il morront tot, se il s’en vait.
Ce vauroit ele mout tres bien,
si l’ameroit sor toute rien;
Et toute ice li vient d’envie,
car mout het durement sa vie.

Se Ganors eüst esploitié
a ce k’ele avoit covoitié,
ja n’i quesist avoir compagne;
mes de cest mal qui li engragne
morroient tuit o li son voel
por vengier s’ire et son grant doel.
Escrie: “Dix, sainte Marie,
com or m’a ceste mors garie!
Seule cuidoie bien morir:
or verrai Rome o moi perir.
Or ert la mors plus avenans;
car povres ert li remanans.
Or ne me poront mais gaber
ne rois ne dus ne quens ne ber,
car cil qui Rome a deffendue,
de cui ma mors est descendue,
les metra mais al convenir.
Dix doint que tost puist avenir!” }

Ganor quickly repented of these words, but they expressed how she felt. The Carthaginian ruler Dido is celebrated for destroying herself in despair about love. Ganor, daughter of the Roman emperor, would outdo Dido.

Like the Trojan women burning Trojan ships, Ganor understood women’s power. Gautier d’Arras observed:

Priest, reason, justice, and law
often make lovers distraught.
Women and love often undo
all that these four have agreed.
Women and love have such nature
that often they act against justice,
against law, against even reason
and against the speech of the priest.
Love is of very rich esteem.
Towards all these four it has undertaken war —
made on them many attacks.
And when a woman has made love her ally,
and those two are of one piece,
a grand marvel it is if they would give up any
of the thing that they would want to do,
because they are of a very strong disposition.

{ Prestre, raisons, drois et lois
font les amans sovent destrois.
Feme et amors desfont sovent
de tous ces .iiii. le convent;
Feme et amors ont tel nature
que sovent font contre droiture,
contre loi, contre raison voire
et contre boce de provoire.
Amors est mout de rice pris,
vers tous ces .iiii. a entrepris:
faite lor a mainte envaïe.
Et puis que feme est en s’aïe,
qu’eles sont ans .ii. d’une part,
mervelle est grans se nus les part
de cose qu’eles voellent faire,
qu’eles sont mout de haut afaire. }

Ganor insisted that Ille return to her if she or Rome needed his help in violence against men. Under the force of her despair and tears, Ille agreed to be used in that way.

Medieval women acted strongly and independently in relation to men. After returning to Brittany, Galeron and Ille had two children. A difficult third childbirth prompted Galeron to vow to God that if she lived, she would enter a nunnery. She apparently didn’t ask for her her husband’s consent before making that vow. That’s not surprising. It’s similar to a wife today getting a no-fault divorce or having an abortion. After Galeron entered a nunnery, Ille on his own initiative returned to Rome and married Ganor. Men only rarely act strongly and independently in relation to women.

In our benighted, ignorant, and bigoted age, many persons believe in simple, hateful myths of patriarchy and misogyny. Gautier d’Arras’s twelfth-century romance Ille et Galeron provides a much more realistic historical perspective.[4] In Gautier’s romance, the woman-heroes Galeron and Ganor are truly strong, freely thinking, independent women. Men today should emulate them.

* * * * *

Read more:

Notes:

[1] Gautier d’Arras, Ille and Galeron {Ille et Galeron} vv. 1984-95, Old French text and English translation (modified) from Eley (1996). On Ille et Galeron, see note [1] in my post of Ille’s lack of self-esteem. For a freely available Old French edition, Lefèvre (1988).

Subsequent quotes from Ille et Galeron are similarly sourced. Those above are vv. 3085-3100 (This much happened all by my sin…), 3315-23 (She looked down from her window…), 3345-8 (Friend, what you do pleases me…), 3746-7 (If anything is done against the law…), 3962-79 (No one heard news of this proclamation…), 4096-4109 (Just then Ille entered the church…), 4256-65 (Ille would have quickly kissed her…), 4289-96 (I do not love your misadventure…), 4393-99 (The joy of that night…), 4595-601, 4608-25 (To Ganor that news…), 4656-69 (Priest, reason, justice, and law…).

[2] In the early thirteenth-century Old French play The Well-Mannered Man of Arras {Courtois d’Arras}, the working woman Pourette took the initiative to make a love toast to the Courtois:

But I am your lover and your mistress
who truly loves you to her heart’s end.
I gave you the wine as a sign of love
and, believe me, I will not deceive you.

{ mais vostre amie et vostre ancielle,
qui bien vous ainme de cuer fin,
vous donc par amors le vin
et, saciés, pas ne vous dechoi. }

Courtois d’Arras, vv. 214-8, Old French text from Faral (1922), my English translation, benefiting from that of Axton & Stevens (1971) p. 148. Privileged women tend to look down on sex workers such as Pourette and seek to be not like them. Any woman can clearly differentiate herself from sex workers by not charging men, explicitly or implicitly, for sex, and not having sex with a lot of men. Not wanting to be like a woman sex worker isn’t a good reason for a woman not to take the initiative to express her love for a man even before he indicates his love for her.

[3] Passages such as Deuteronomy 27:19, Exodus 22:22-24, Jeremiah 49:11, Psalms 68:5, 82:3, James 1:27 reflect the particular social circumstances of men’s historical gender burdens. Women today are fully capable of supporting men and children.

[4] A leading scholar of Ille et Galeron observed:

In Ille et Galeron, rejection of fantasy and the supernatural goes hand-in-hand with a concern for realism which is reflected not only in the action and its physical surroundings, but also in the psychology of the protagonists. … Her {Ganor’s} reactions to major events in her life are entirely believable, and create a picture of a woman who may not always be sympathetic, but is cerainly never two-dimensional.

Eley (1996) pp. xxxvi, xxxix.

[image] Court of Anne of Bohemian and Richard II, queen and king of England, at their coronation in 1382. Except from folio 20 of Liber Regalis, Westminster Abbey Library, MS 38.

References:

Axton, Richard, and John E. Stevens, trans. 1971. Medieval French Plays. New York: Barnes & Noble.

Eley, Penny, ed. and trans. 1996. Gautier d’Arras. Ille et Galeron. London: King’s College London, Centre for Late Antique & Medieval Studies.

Faral, Edmond, ed. 1922. Courtois d’Arras: Jeu du XIIIe Siècle. 2nd Edition, revised. Paris: H. Champion.

Lefèvre, Yves, ed. 1988. Gautier d’Arras. Ille et Galéron. Les classiques français du Moyen Âge, 109. Paris: Champion. Available online via Base de français médiéval.

medieval hero Ille shows problem of men’s self-esteem

Men historically have been burdened with the necessity of achieving in order to be regarded as a man. In fact, the Latin word for demonstrated merit, “virtue,” is formed from the word for man, “vir.”[1] Men historically couldn’t merely declare that they identify as a man. Men had to “prove” their manliness. What proof is sufficient? Even such a distinguished man as the medieval hero Ille in Gautier d’Arras’s late-twelfth-century romance Ille and Galeron {Ille et Galeron} struggled with low self-esteem. Through their courageous initiative, women who loved Ille helped him to understand his intrinsic worth as a man. Women today should likewise affirm men’s intrinsic virtue.

Ille suffered trauma as a child in Brittany. When he was only ten years old, his father Eliduc died. The knight Hoel and his nephews, who hated Eliduc and his family, threatened the fatherless child Ille. The ruler of Brittany, Duke Conain, was too weak to defend him. Ille thus had to flee from his home to the court of the French king.

Ille grew to be recognized as an outstanding knight. With ten strong knights accompanying him, Ille journeyed back to Brittany to recover his ancestral home. Another twenty knights from Brittany rode out to rendezvous with him. Hoel learned of these plans and gathered a hundred knights to ambush Ille and his companions. In brutal violence against men, Ille’s force routed Hoel’s much larger force. Ille thus triumphantly entered Brittany.

Delighted with Ille’s victory, Duke Conain welcomed him to Brittany. At Conain’s court, Ille met Conain’s sister Galeron. Ille loved her for her courtliness and beauty. As a reward for winning an additional battle, Duke Conain made Ille his seneschal and put him in charge of all Brittany. Ille nonetheless regarded himself as unworthy of Galeron’s love:

Ille thought to himself: “She isn’t eager
that she have such a man as me to be her lover,
nor I to have her as my lover.
I have put my heart in a very foolish place,
because if the duke were to perceive
that I desire his sister,
all my service to him would be wasted
and in addition I would have nothing in return
from him but bad will. I don’t know what to do.”

{ Il pense en soi: “Ne li caut mie
qu’ele a tel home soit amie,
n’a moi que soie ses amis.
Mout ai en fol liu mon cuer mis,
car se li dus s’apercevoit
de sa seror que je covoit,
trestot mon service en perdroie
et d’autre part rien n’en aroie
se mal gré non: ne sai que faire. }[2]

Galeron actually ardently loved Ille. When her brother asked whom she wanted to marry, Galeron declared that she wanted Ille:

Sir, by the loyalty that I owe you,
he is your seneschal.
Even if he were to be all naked and barefoot,
he would please me more, fine sir,
than the emperor and all his empire.

{ Sire, par la foi que vous doi,
içou est vostre senescaus.
S’il estoit tos nus et descaus,
si me plairoit il mix, biaus sire,
que l’emperere a tout l’empire. }

Galeron would take no other man: “I will never have any man if I don’t have him {Ja nul rien arai se lui n’ai}.” She said that she would retire to a nunnery if she couldn’t marry Ille.

man kissing beloved woman's feet

Duke Conain was delighted with his sister’s choice of husband. He told Ille that he would give him Galeron as his wife. In medieval reality, a brother couldn’t just give away his sister as a bride. Ille rightly thought that Conain wasn’t serious:

Sir, for God’s sake, don’t make fun of me,
for I never deserved that for a single day.

{ Sire, por Diu, ne me gabés,
k’ainc nel desservi a nul jour. }

The Duke declared that the Count of Anjou, the Count of Poitiers, and the Duke of Normandy wanted to marry Galeron, but she wouldn’t accept any of them. Ille responded:

But it was never a hope to be suffered
that on her part she would marry me,
since she doesn’t favor any of them.

{ mais il n’ert ja espoir sofert
endroit de li k’ele me pregne,
des qu’ele nul de cex n’adaigne. }[3]

Conain went to Galeron and declared that he had commanded Ille to marry her immediately. Playing along with this royal pretense, she responded, “And I agree for love of you {et je l’otroi por vostre amour}.”[4] Medieval persons communicated with sophistication scarcely imaginable today.

medieval woman embracing man

Ille subsequently endured a disfiguring wound in a knightly tournament. After winning the day, he engaged in a final joust. He then lost his left eye from a lance strike. Ille left immediately to recover in seclusion. He had suffered injury not only to his eye:

But Ille had a double infirmity.
One was that he had lost an eye.
The other was that he feared his beloved,
the sister of the Duke of Brittany.
He feared that she would no longer favor him
and that she would now despise him.
He feared much according to this saying:
“Such you have, such you are worth, and for such I love you.”

{ mais Illes a double enfierté.
L’une est de l’oel que il n’a mie,
l’autre de ce qu’il crient s’amie,
qui suer est au duc de Bretagne;
et crient mais qu’ele ne l’adagne
et k’ele l’ait mais en despit,
si se crient mout de ce respit:
“Tant as, tant vax, et je tant t’aim.” }

Like Odysseus afraid to return home as a poor man to his wife Penelope, Ille thought that he had lost the merit that had earned him his wife Galeron’s love. Ille lamented to himself:

Alas! Why then do I go on living
after this torment has been inflicted on me?
Cursed be the day and the hour
that I did not die immediately,
because that would have been comfort to me,
if my sweet beloved had wept for me,
she who now will be my enemy.
Even when I had two eyes,
I was insignificant and knew little
to have as my wife the sister of the duke.
The son of Eliduc had little before.
Now he is poorer by half.

She who has always loved me
and hated anyone who wanted to hurt me
will wish for my death and that I die,
when she learns of my misfortune,
but never will the sweet being,
so please God, know of its sight.
God! What a death I have through he who wounded me
when he wasn’t able to hit me in the heart.

{ E las! por coi vesqui je puis
que cis tormens me corut seure?
Maleoit soit le jour et l’eure
que je ne sui esranment mors,
car ce m’eüst esté confors,
si me plainsist ma dolce amie,
qui ore sera m’anemie.
Entrués que je .ii. iex avoie
ere petis et poi savoie
por avoir le seror au duc.
Ains ot poi li fix Eliduc;
or a il mains de la moitié.

Cele ki m’a tos jors amé
et haï canque me vaut nuire
volra ma mort et que je muire,
por k’ele sace m’aventure;
mais ja la douce creature,
se Diu plaist, le voir n’en savra.
Diex! com m’a mort qui me navra,
quant ne me pot el cuer ferir. }

Ille was wounded in his heart. That wound didn’t occur from a lance strike, but from his lack of self-esteem as a man.

News reached Galeron that Ille had been wounded. Nobody could tell her the nature of his wound. Had he been wounded like the Grail King Anfortas? Such a wound would cause a medieval wife intense grief. Galeron quickly traveled to see Ille. By Ille’s order, an attendant barred her from entering Ille’s bedroom. The attendant pleaded:

Lovely lady-lord, for God’s sake, have mercy!
Here you now have nothing to do.
For God’s sake, don’t be angry,
because your lord is very hurt
and wounded by a misadventure.
His injury is of such nature
that he would be made doubly distressed
if a woman were to come into his presence.

{ Bele dame, por Diu, merci!
Vos n’avés or que faire chi.
Por Diu, ne vos en coreciés!
Car vostre sire est mout bleciés
et navrés par mesaventure;
si est ses maus de tel nature
que il li feroit double anui
se feme venoit devant lui. }

A smart, active young woman, Galeron wouldn’t allow herself to be prevented from being with the man she loved. She dressed as a man, mingled with Ille’s chamberlains, and stood outside his door. When the opportunity eventually arose, she entered Ille’s bedroom. There she hid.

Thinking he was alone, Ille grieved aloud that he had barred Galeron from visiting him. He lamented:

“Ah,” he said, “my sweet sister,
how I must have in me a hard heart
when I am here and you are there outside!
Lovely one, even if you don’t have my body,
my heart is yours night and day.
Alas! How I am dying for your love!
Great is the affliction that torments me
and the love that I have in my mind.
That love was the chief path of my journeying,
but now in such illness I am held
that it will divorce me from love,
because now Galeron will never again favor me —
she who for me would not favor
a count, nor a duke, nor the son of a king.”

{ “Aï,” fait il, “ma doce suer,
com je par ai en moi dur cuer
quant je sui chi et vos la fors!
Bele, se vos n’avés mon cors,
mes cuers est vostre nuit et jor.
Las! com je muir por vostre amor!
Grans est li max qui me tormente
et l’amors graindre ou j’ai m’entente.
De l’amour ere a cief venus,
mais or sui de tel mal tenus
qui de l’amor m’eslongera,
car ja mais ne m’adaignera
cele qui n’adaigna por moi
conte ne duc ne fil a roi.” }

Galeron remained hidden and didn’t dare speak. She didn’t know the nature of Ille’s injury. Could it be an epically debilitating injury?[5] When daylight came, Galeron saw that Ille’s head was loosely bandaged with a silk cloth. That bandage slipped a bit. Galeron saw his wound. It wasn’t the most terrible wound a husband could have, but it was bad enough. She wept for her husband’s misfortune.

Ille heard a woman weeping in his bedroom. He turned his bandaged head toward her and saw a man. He was baffled and cried out, “What are you doing here {que fais tu chi}?” Galeron begged him for mercy. Ille didn’t understand. Then she said:

Sir, I am Galeron here,
and so you are my husband,
whom I love as much as my own body.
I was a door-keeper outside
all day yesterday and would be yet
if it weren’t for trickery. But so it is now
that I have thus arranged affairs
that I have come to be in your presence.
Now let me be told the reason
for which my entry was barred,
for I don’t believe that I have done wrong
in thought, or in word, or in deed.

{ Sire, je sui chi Galerons,
et vous si estes mes barons,
que j’aim autant comme mon cors;
si fui oussiere par defors
ier tote jor et fuisse encore
s’engiens ne fust; mes si est ore
que je me sui ensi tenue
que je sui devant vos venue.
Or si me soit la raisons dite
por coi m’est l’entree escondite;
car je nel quit avoir forfait
en pensé n’en dit ne en fait. }

Ille explained that he hadn’t barred her entrance out of animus toward her. He loved her as her loved his own heart. She didn’t understand why then he had excluded her. He explained why:

My sweet sister, because I cannot
see a woman without having double
the affliction that is tormenting and troubling me.
I know it that would grieve you
if my distress were doubled.
I cannot see you as I did before.
This is what most of all gives me pain —
what fills me most with anguish and anger.

{ Ma douce suer, car je ne puis
feme veoir, que ne me double
li max qui si m’angoisse et torble;
si sai qu’il vos en peseroit
se ma destrece me dobloit.
Ne vos puis veoir com je suel:
çou est la riens dont plus me doel,
dont plus sui plains d’angosse et d’ire. }

Galeron now understood. Ille lacked good sense of his worth as a man. She urged him to be gallant and lively, and not to act like a young woman hiding in her room. Perhaps she didn’t fully understand how he felt as a man. Galeron departed from Ille’s bedroom.

Now truly alone, Ille pondered the situation. He couldn’t overcome his sense that he was no longer worthy of Galeron’s love:

Lord God, how could it be
that this very sweet being,
as soon as she knew of my misadventure,
wouldn’t despise me for all time?
Once I heard a proverb that says
that a woman has a very fickle heart
and often changes her mind.
And this cannot be the place for me,
because she is the sister of the duke, and I see
that there isn’t a woman as beautiful as she in all the world.
May God destroy and confound me
if but for a single day I now remain here
and if I don’t flee to such a place
that news of me will never again reach
the sister of the duke, who is so beautiful!
I have well perceived the issue —
that she has recognized my illness.

{ Sire Dix, comment avenroit
que la tres douce creature,
des qu’ele saroit m’aventure,
ne m’eüst tos jors en despit?
Jou oï ja dire un respit
que feme a mout le cuer volage
et mue sovent son corage.
Et ceste n’est mie endroit moi,
car ele est suer au duc; si voi
qu’il n’a si bele en tot le monde.
Dix me destruise et me confonde
s’un seul jor mais sui ore ichi
et se j’en tel liu ne m’en fui
que mais n’orra de moi novele
la suer au duc, qui tant est bele!
J’ai bien la cose aperceüe
k’ele a m’enferté conneüe. }[6]

His fundamental issue was his lack of self-esteem. He swore his servants to secrecy, saddled his horse, and rode away into the night. He had no destination. He merely rode on and on away from home.[7]

medieval man committing suicide

Ille didn’t understand that his loss of an eye didn’t make him less worthy of his wife Galeron’s love. Men’s bodies matter. Men’s bodies can rise firm, strong, and magnificent like a cedar of Lebanon. They will inevitably decay. Galeron loved Ille with an enduring love. Other women throughout history have similarly loved men. A woman’s enduring love for a man cannot depend on his body always being as it once was.

Men must root their self-esteem in their intrinsic being from birth to natural death. In truth, a man doesn’t have to achieve anything to be a man. A man doesn’t have to do anything to be a man. Men know who they are.

* * * * *

Read more:

Notes:

[1] Men’s gender-distinct being has been effaced historically through generic use of terms such as “man” and “mankind.” Moreover, men authors historically have often had little or no distinctive gender self-consciousness. Meninist literary criticism is beginning to address these important issues that have been marginalized under dominant ideology.

[2] Gautier d’Arras, Ille and Galeron {Ille et Galeron} vv. 1309-17, Old French text and English translation (modified) from Eley (1996). Subsequent quotes from Ille et Galeron are similarly sourced.

Ille et Galeron survives in two manuscripts: manuscript P, Paris, Bibliothèque nationale de France, français, 375, f. 296ra-309vd, written late in the thirteenth century; and manuscript W, Nottingham, University Library, Mi LM 6, f. 157ra-187va, written in the thirteenth century. Eley (1996) provides an excellent edition of manuscript P, corrected with manuscript W where necessary. Lefèvre (1988) is a freely available edition of manuscript P. It has more mistakes and some unnecessary inclusions from W.

Gautier d’Arras probably composed Ille et Galeron in the mid-1170s. Eley (1996) pp. xix-xxii, which shows that the Arlima dating of 1156-1157 is surely wrong. Eley associated the original version with manuscript P. Gautier d’Arras apparently revised that version about 1180. His revision led to the recension associated with manuscript W.

Gautier dedicated Ille et Galeron to Beatrice I, Countess of Burgundy, Queen of Germany, and Empress of the Holy Roman Empire with Emperor Frederick Barbarossa. Beatrice was the daughter of Count Renaud III of Burgundy. She was related to two popes and four Holy Roman Emperors. Gautier praised her extensively. He understood her great power and privilege, and he apparently hoped that she would be generous to him:

Because of her great power and honor,
it might seem that her generosity is less,
but her generosity is so great
that her power is less than equal.

{ Por grant pooir et por honeur
est vis que largece ait meneur;
mais se largece est si tres grans
que ses pooirs est mains parans. }

Ille et Galeron, vv. 107-110. Manuscript W adds in its epilogue an additional dedication. That dedication is to Thibaut de Blois, a man much less powerful than Beatrice.

Gautier d’Arras probably wrote Ille et Galeron as a response to Marie de France’s lay Eliduc. Both stories involve a warrior-hero that two women love. Both stories involve him marrying one of the women and then the other. In addition, Ille et Galeron seems to allude to Eliduc in narrative details. Gautier apparently sought “to improve on his original,” i.e. Marie de France’s Eliduc. Eley (1996) pp. xxx-xxxiv. Gautier declared:

A great thing concerns Ille and Galeron:
it isn’t elongated with fantasies
and you will never find any falsehoods in it.
There are some lays that when one hears them,
it seems they are all similarly
as if one was asleep and dreaming.

{ Grant cose est d’Ille et Galeron:
n’i a fantome ne alonge
ne ja n’i troverés mençonge.
Tex lais i a, qui les entent,
se li sanlent tot ensement
com s’eüst dormi et songié. }

Ille et Galeron, vv. 931-37. For more on Gautier’s sources and his reworking of them, Cowper (1922) and Moore (1991).

Subsequent quotes above are from Ille et Galeron. They are vv. 1456-60 (Sir, by the loyalty that I owe you…), 1454 (I will never have any man if I don’t have him), 1484-5 ( Sir, for God’s sake, don’t make fun of me…), 1504-6 (But it was never a hope…), 1522 (And I agree for love of you), 1680-7 (But Ille had a double infirmity…), 1692-1703, 1714-21 (Alas! Why then do I go on living…), 1743-50 (Lovely lady-lord, for God’s sake, have mercy…), 1775-88 (“Ah,” he said…), 1829 (What are you doing here?), 1837-48 (Sir, I am Galeron here…), 1858-65 (My sweet sister, because I cannot…), 1920-36 (Lord God, how could it be…).

[3] In medieval Europe, differences in social rank were major obstacles to marriage. The foundling Fresne, in love with Count Galeron, told him:

The fact that you are regarded as so rich
and from such a high lineage
and so respected and so wise
will drive you apart from me.
I should not associate with you,
because I am poor and lowly,
nor should I dare to love you.
I have brought myself into this great folly,
but one who is in love’s power
cannot rightly counsel herself.

{ Ce que l’en vous tient tant a riche
Et extrait de si hault lignaige
A si prisié et a tant sage
Vous fera de moy departir.
Ne me doy a vous aatir,
Pour ce que je sui povre et basse,
Non tant que j’amer vous osasse.
Si m’est venu de grant follie;
Mais cil qui n’est en sa baillie
Ne se puet a droit conseillier. }

Jean Renaut, Galeran of Brittany {Galeran de Bretagne}, vv. 2190-99, Old French text from Foulet (1925), English translation (modified) from Beston (2008).

[4] Medieval women and men relished having sex. Galeron and Ille were married the very day that Duke Conain brokered their marriage. Then their love desires were promptly realized:

Ille, who had much longed for her,
shared with Galeron one bed,
and they had such joy and such delight
that no man could describe it.
Now joy commenced to display itself,
for no one was ever given so much in one night.

{ Illes, ki mout l’a goulousee,
et Galerons ne font c’un lit,
et ont tel joie et tel delit
que nus hom nel poroit conter.
Or commence joie a monter,
k’ainc tant n’en dona une nuis. }

Ille et Galeron, vv. 1526-31.

[5] The comic aspect of secrecy about Ille’s wound (is it a genital wound?) is consistent with Gautier d’Arras’s subtle sense of humor. On humor in Gautier’s Eracle and Ille et Galeron, King (1996) Ch. 4.

[6] Virgil, who keenly appreciated women’s power, observed: “a woman is always varying and circumstantially responsive {varium et mutabile semper femina}.” Aeneid 4.569. Adaptability is a vitally important human trait, especially in modern societies.

Late in the twelfth century, Andreas Capellanus’s On love {De amore} aparently recast Ille’s eye injury into a case where a woman left her lover after he lost his eye. De amore 2.7.15, as discussed in Eley (1996) pp. xxxiv-v.

[7] Like many husbands throughout history, Ille was subservient to his wife Galeron:

Galeron was praised and esteemed by all,
because they didn’t know anyone so accomplished.
Because of this Ille was more eager
to be always subject to her command,
to her will, and to her pleasure.

{ Trestos li mons le loe et prise,
car on ne set si bien aprise.
Por çou est Illes plus en grant
d’estre tous jors a son commant,
a son voloir, a son plaisir. }

Ille et Galeron, vv. 1601-5.

Ille subsequently grew in self-confidence. He acted decisively when heading to the altar for a second marriage. He later also acted decisively after Galeron entered a nunnery. He didn’t merely resign himself to being a sexless husband. Ille thought to himself:

A nun has what use for a castle?
But the king’s daughter, who can take and give, does,
so let the nun read her psalter
in the abbey and in the church!

{ de castel c’a a faire none?
Mais fille a roi qui taut et done,
Et la none son sautier lise
en l’abeïe et en l’eglise! }

Ille et Galeron, vv. 5652-5. Ille then journeyed from Brittany to Rome to protect Ganor, the beautiful young daughter of the Roman king (emperor). On Ille’s personal growth, Eley (1989) p. 267, Eley (1996) pp. xxxviii-ix.

[images] (1) Man kissing beloved woman’s feet. Illustration from instance of Richard de Fournival’s thirteenth-century Way of Love {Commens d’amour}. Detail from folio 7 of Bibliothèque municipale de Dijon, MS 526, made early in the fourteenth century. (2) Woman embracing man. Illustration similarly from folio 7 of Dijon, MS 526. (3) Man committing suicide. Illustration similarly from folio 10 of Dijon, MS 526.

References:

Beston, John, trans. 2008. An English Translation of Jean Renaut’s Galeran de Bretagne, a Thirteenth-Century French Romance. Lewiston, NY: Edwin Mellen Press.

Cowper, Frederick A. G. 1922. The Sources, Date, and Style of Ille et Galeron by Gautier d’Arras. Ph. Thesis, University of Chicago.

Eley, Penny. 1989. “Patterns of Faith and Doubt: Gautier d’Arras’s Eracle and Ille et Galeron.” French Studies. 43 (3): 257–270.

Eley, Penny, ed. and trans. 1996. Gautier d’Arras. Ille et Galeron. London: King’s College London, Centre for Late Antique & Medieval Studies.

Foulet, Lucien, ed. 1925. Jean Renaut. Galeran de Bretagne: Roman du XIIIe Siècle.. Paris: É. Champion. Alternate source.

King, David Sacket. 1996. Romances Less Traveled: Gautier d’Arras’s Eracle and Ille et Galeron Reconsidered. Ph.D. Thesis, Washington University. .

Lefèvre, Yves, ed. 1988. Gautier d’Arras. Ille et Galéron. Les classiques français du Moyen Âge, 109. Paris: Champion. Available online via Base de français médiéval.

Moore, Christine M. 1991. A Literary Study of Ille et Galeron by Gautier d’Arras: generic experimentation and development in late twelfth century France. Ph.D. Thesis, Australian National University.

Origen learned: men shouldn’t castrate themselves to appear righteous

Castration historically has been forced upon men, usually enemy men or men accused of sexual offenses. In the Gospel of Matthew, Jesus refers to men who have castrated themselves for the sake of the Kingdom of Heaven.[1] That’s best interpreted as Jesus referring figuratively to men who have vowed celibacy to serve God, as well as serve the community non-sexually. Yet amid social disparagement of men’s sexuality and castration culture, some men wrongly seek to be righteous by castrating themselves. A medieval story of two brothers who castrated themselves to be righteous follows the ancient Christian scholar Origen’s mature thought and universally, authoritatively condemns such self-castration.

The threat of castration of the usual type for a religious man is well-represented in the medieval story of Parson John. He was having sex with another man’s wife. Her husband, like many husbands, was completely subservient to her and ignorant of women’s wiles. But his brother, another parson, was a sensible, no-nonsense man. He instructed his brother to replace the chamber-pot under the marital bed with another, special pot, and then leave for an overnight business trip. So the husband did. Then the wife prepared a lavish meal and invited Parson John over for dinner and to spend the night with her.

Naked in bed that night with the naked wife, Parson John felt the need to urinate. He got up and reached under the bed for the chamber-pot. After he finished urinating, he tried to put the pot away. He discovered that his hands were stuck to it. Naked and shivering, he called out to the wife for help. She sprang out of bed naked and grabbed the pot. Then she also became stuck to it. She called out to her maid for help. The maid jumped out of bed naked and ran to help. She too got her hands stuck to the pot. The threesome danced a miserable jig all night long. The next morning the husband and his brother found them naked and miserable, still bound together to the chamber-pot.

Punishment for adultery has long been gender-biased toward punishing men more harshly. While not criticizing his wife, the husband threatened to castrate Parson John:

The good man said to Parson John, “By the cock’s sweet wound,
you shall lose your balls or a hundred pounds.
Truly you shall have no other choice.”
Parson John said, “In good faith,
help that this pot from me were taken away
and that money I will pay
before I lose my balls.”

{ The godeman seid to Sir John, “Be cockis swete wounde,
Thou shalle lese thine harnesse or a hundred pounde.
Truly thou shalle not chese.”
Sir John seid, “In gode fay,
Helpe this basyn were awey
And that moné will I pay
Er I this harnes lese.” }[2]

Parson John was fortunate. Other men aren’t given the opportunity to pay money to maintain their genitals.

Rather than paying to avoid castration, some men have gone so far as to castrate themselves to appear righteous. A prominent ancient example was reportedly the great Christian scholar Origen of Alexandria at the beginning of the third century. Writing about a century after Origen castrated himself, the church historian Eusebius of Caesarea reported:

When Origen was performing the work of catechetical instruction at Alexandria, he did a thing that gave abundant proof of an immature and youthful mind, yet also of faith and self-control. For he took the saying, “There are eunuchs which made themselves eunuchs for the Kingdom of Heaven’s sake,” in too literal and extreme a sense. Thinking both to fulfill the Savior’s saying and to prevent all suspicion from unbelievers’ shameful slander (for, young as he was, he used to discourse on divine things with women as well as men), he hastened to put into effect the Savior’s saying. He took care to escape the notice of the greater number of his pupils. But, wishful though he might be, it was not possible to hide a deed of this nature.

{ Ἐν τούτῳ δὲ τῆς κατηχήσεως ἐπὶ τῆς Ἀλεξανδρείας τοὔργον ἐπιτελοῦντι τῷ Ὠριγένει πρᾶγμά τι πέπρακται φρενὸς μὲν ἀτελοῦς καὶ νεανικῆς, πίστεώς γε μὴν ὁμοῦ καὶ σωφροσύνης μέγιστον δεῖγμα περιέχον. τὸ γὰρ “εἰσὶν εὐνοῦχοι οἵτινες εὐνούχισαν ἑαυτοὺς διὰ τὴν βασιλείαν τῶν οὐρανῶν” ἁπλούστερον καὶ νεανικώτερον ἐκλαβών, ὁμοῦ μὲν σωτήριον φωνὴν ἀποπληροῦν οἰόμενος, ὁμοῦ δὲ καὶ διὰ τὸ νέον τὴν ἡλικίαν ὄντα μὴ ἀνδράσι μόνον, καὶ γυναιξὶ δὲ τὰ θεῖα προσομιλεῖν, ὡς ἂν πᾶσαν τὴν παρὰ τοῖς ἀπίστοις αἰσχρᾶς διαβολῆς ὑπόνοιαν ἀποκλείσειεν, τὴν σωτήριον φωνὴν ἔργοις ἐπιτελέσαι ὡρμήθη, τοὺς πολλοὺς τῶν ἀμφ᾿ αὐτὸν γνωρίμων διαλαθεῖν φροντίσας. οὐκ ἦν δὲ ἄρα δυνατὸν αὐτῷ καίπερ βουλομένῳ τοσοῦτον ἔργον ἐπικρύψασθαι. }[3]

Self-castration is a terrible response to the danger of false sexual accusations against men. Self-castration shouldn’t be required for a man to appear righteous if he works with women.[4] Demetrius, the Bishop of Alexandria, initially did not condemn Origen’s self-castration. After much time passed, the distinguished Alexander, Bishop of Jerusalem, and the eminent Theoctistus, Bishop of Caesaerea, personally ordained Origen as a presbyter. Then Demetrius caused grave scandal by publicly condemning Origen for castrating himself. Demestrius’s move against Origen at least highlighted the terrible wrong of self-castration. Origen subsequently argued against men castrating themselves.[5]

eunuch acolytes honor the great mother goddess Cybele

Nonetheless, two brothers among the desert fathers near Alexandria in the fourth century apparently didn’t learn from Origen’s mistake. These two brothers castrated themselves after similarly misinterpreting the Gospel of Matthew:

Two brothers, who considered themselves very religious,
conversed about the matter together and became monks.
After they’d received the monastic habit,
they took heed of what the gospel says
— that all those men shall be blessed
who have themselves castrated for the Kingdom of Heaven —
and therefore, these two of whom I’ve spoken to you, they castrated themselves.

{ Deus freres, ke mult religius se tindrent,
Ensemble parlerent e moines devindrent.
Cum il aveient receu monial habit,
Garde pristrent de çoe ke l’evangelie dit,
Ke tuz icels homes bonurez serrunt
Ki pur le regne del ciel espaier se funt,
E, pur çoe, s’espaierent ces dous dunt joe vus dis. }[6]

The brothers’ zeal to be “very religious {mult religius}” was utterly mistargeted. The thoughtful Christian brother who told this instructive story declared:

So they didn’t do wisely, in my opinion,
for God didn’t say it in that sense. Don’t believe it —
that a man should emasculate himself in this life.
But God orders everyone uniformly
to conduct themselves in this life chastely
and strive to restrain lust
so that the testicles cannot make anything.
But these two brothers didn’t take it in that sense.
Instead they castrated themselves, so becoming worse than miserable,
for the archbishop who was of this land
excommunicated both for this misdeed.

{ Si ne firent pas ke sage, çoe m’est avis,
Kar Deus nel dist pas en tel sen, ne quidez mie,
Ke l’em se face demembrer en ceste vie,
Mes il comande ke trestuz uniement
Se contengent en ceste vie chastement
E s’efforcent de lecherie a retraire
E les escoilles ke pas nel pount faire.
Mes ces dous frerez en tel sen nel pristrent pas.
Enz s’espaierent, si firent mut ke las,
Kar l’ercevesque ke del pais esteit
Les escomenge andous pur cel mesfait. }[7]

These two brother monks castrated themselves because they wrongly sought to be regarded as very righteous. Many centuries later, the rich young medieval gentleman Castorio had himself castrated in order to become plump and smooth. Castorio should have learned from Origen’s mature thought or the exemplum of the two brother monks who castrated themselves. Men’s genitals bear the seminal blessing. Men’s genitals should be regarded as godly organs. They should not be cut off for no good reason.

The two brother monks arrogantly claimed to be righteous through their self-castration. They didn’t accept that their archbishop, the Archbishop of Alexandria, had rightly excommunicated them:

And the brothers still thought that they’d done well,
so they held their archbishop in disdain and gave him no regard.
Instead, they complained, saying between themselves:
“For the Kingdom of Heaven we castrated our desire,
and he who excommunicated us acted quite wrongly.
Now let’s go quickly to Jerusalem
and denounce the archbishop, as God sends us there.”

{ E les freres quiderent k’il eusent fet ben,
Sil tindrent del dedeing, e ne lur fut a ren.
Ainz, grundillerent, e distrent entre els memes:
“Pur le regne del ciel espaier nus feimes,
E cil qui nus escomengat il ad mut mesfait.
Ore alum a Jerusalem a grant esplait
Si encusum l’ercevesque, si Deu nus la enveit.” }

Only brothers sure of their righteousness would denounce the Archbishop of Alexandria to the Patriarch of Jerusalem:

What can I say? They went there right away
and showed everything to the patriarch —
that for which the archbishop had excommunicated them outright.
Then the patriarch responded to the brothers in this way,
saying to them: “I excommunicate you as well.”

{ Ke vus dirrai joe? E la s’en alerent tut dreit
Si demustrerent al patriarche trestut,
Cum l’erceveske les escomigout de but.
E si respondi sifaitement as freres,
Si lur dist: “E joe vus escomenge regeres.” }

These brothers still didn’t seriously reconsider whether castrating themselves was wrong. They appealed their excommunication to the Archbishop of Antioch. He also excommunicated them. They subsequently went to Rome and appealed to the Supreme Pontiff of the Universal Church. The pope also excommunicated them. The brothers nonetheless remained morally sure of themselves:

Then they said: “These people fail us completely,
and they stick together all to the end!
Therefore it’s necessary for us, rather than staying here,
to go to the Archbishop of Cyprus, Master Epiphanius.
He’s a prophet and conducts himself wholly according to God.
He’ll do right for us. Of that, we don’t doubt at all,
for he’s a holy man of such custom
that he doesn’t take a man’s status into account.
Instead, he’s loyal to everyone and very just,
so he’ll never lie for the sake of a mortal man.”

{ Dunc diseint: “Iceste gent nus faillunt del tut,
E ensemble se tenent tut de but!
Pur çoe, nus estoverat, ainz ke issi remainge,
A l’ercevesque de Cypre aler, DANZ EPIPHAINE.
Il est prophete e tut sulunc Deu se content;
Il nus fra dreiture, de çoe ne dotum nient,
Kar il est seinz hom d’itele custume
K’il ne garde pas a la persone de home;
Einz, est feel vers chascun e mut dreiturel,
Si ne menterat ja pur home mortel.” }[8]

As the brothers approached Cyprus, God told Archbishop Epiphanius about them. Epiphanius then sent a message to the brothers. He ordered them not even to enter Cyprus.

Archbishop Epiphanius’s decisive action against the brothers served to reform them. The brothers recognized that they were “wretched and guilty {chatif e copables}” of having self-righteously castrated themselves. Repentance was all that was necessary for them to be welcomed back into the community:

When God, who knows and sees the hearts of all, saw
that they’d repented of their doing,
he revealed their repentance to the bishop,
and the bishop quickly sent for them
and had them brought before him at once,
and he very gently comforted both of them.
Then by him they were made absolved of their sin.
So he reported back to the bishop of Alexandria
with these words, saying in this manner:
“Receive your sons into your authority,
for, in truth, they’ve done their penance.”

{ Lores vit Dex, ke les quors de tuz conuist e veit,
K’il se repentirent de la fesance,
Si mustrat a l’evesque lur repentance.
E l’evesque enveiat pur els hastivement,
Si fist mener devant lui tut en present,
Si confortat mult dulcement ambodous.
E puis furent il par lui de lur pecchié assous.
Si tramist a l’evesque de Alexandre arere
Par ses lettres, disant en tele manere:
“Recevez voz fiz en vostre obedience,
Kar, en verité, il unt faite lur penitence.” }

These brothers didn’t miraculously regain the masculine genitals that they wrongly castrated. Being reformed in that physical sense wasn’t necessary. The brothers were healed of their self-righteous contempt for masculine genitals and the seminal blessing. That’s ultimately sufficient for redeeming everyone of whatever gender.

Affirming the goodness of men’s sexuality requires continual application. About two millennia ago, the classically learned Jewish scholar Philo of Alexandria recorded Jewish perception that Ham laughed when he saw exposed the genitals of his sleeping father Noah.[9] About four centuries later, the classically learned Christian poet Claudius Marius Victor conveyed the moral sense of that Jewish interpretation:

One day Noah, while he celebrated joyfully the Lord’s honors,
indulging in feasts and tasting sweet drinks,
felt the strong wine and, by heavy sleep
overcome, carelessly laid down his limbs on his faithful bed.
Simultaneously his clothing, rolled back, revealed the hidden places
of his body and moved you to laugh, most worthless Ham,
your very font and origin did!

{ Forte Noë domini celebrat dum laetus honores
indulgens epulis et dulcia pocula libans,
persensit vivos latices somnoque gravante
victus membra toro posuit neglecta fideli:
et revoluta simul vestis secreta retexit
corporis et risum tibi, Cham deterrime, movit
fons et origo tui }[10]

Human genitals, including men’s genitals, are a font and origin of human life. Men’s genitals deserve respect. All should recite with reverence early sixth-century verses by the prisoner Boethius:

O father, grant my mind to climb to your majestic seat,
grant me to circle your font of goodness, grant light of being discovered,
light to focus on you the clear sight of my spirit.
Disperse the clouds of heavy, earthly labor
and shine forth in your splendor! You are thus serene
and quiet rest for the blessed. To discern you is their goal.
Beginning, carrier, leader, pathway, end — are you alone.

{ Da pater augustam menti conscendere sedem,
Da fontem lustrare boni, da luce reperta
In te conspicuos animi defigere visus.
Dissice terrenae nebulas et pondera molis
Atque tuo splendore mica! Tu namque serenum,
Tu requies tranquilla piis, te cernere finis,
Principium, vector, dux, semita, terminus idem. }[11]

Men with functioning genitals literally propagate the seminal blessing. Their genitals should be honored as a font of goodness.

Hrabanus Maurus and abbot Alcuin present book to Archbishop Otgar of Mainz

In a figurative sense, all persons can send forth seeds of new life. The scholar and abbot Alcuin of York about 803 urged the Archbishop Aethelhard of Canterbury:

Sow living seeds of truthful words
so that then faith would grow in human hearts.

{ Insere veridicis vitalia semina verbis
Cordibus humanis crescat ut inde fides. }[12]

That’s not merely the task of an early ninth-century celibate archbishop. All persons, even if they have wrongly castrated themselves, can figuratively engage in the worthy work of sowing such seeds.

Men choose castration within structures of righteousness misconstructed according to entrenched disparagement of men’s sexuality. We must collectively repent of castration culture and its historical injustices. Education is essential. Students should learn about the castration in Hesiod’s Theogony and the classical circle of castration and cuckolding. They should study Jerome’s and Augustine’s condemnations of the castrated Galli servants of the great mother goddess Cybele. They should be taught about Origen’s foolish self-castration and about the vicious penal punishment of Peter Abelard. Most of all, everyone should understand that self-castration is a foolish way for men to seek to appear righteous.

* * * * *

Read more:

Notes:

[1] Matthew 19:12. Concerning this passage, see my post on vicious eunuch officials.

[2] The Tale of the Basin, vv. 208-14, Middle English text from Furrow (2013), my English modernization. For a English modernization of the full tale, Brewer (1996) pp. 55-8, where it’s called The Tale of the Pot. This tale belongs to folktale type ATU 571B, “All Stick Together; Lover Exposed.”

The Tale of the Basin survives only in one late-fifteenth century manuscript: Cambridge University Library MS Ff.5.48, folios 58r–61v. The scribe, Gilbert Pylkyngton, apparently was from West Derbyshire. The introduction to this tale in Furrow (2013) provides additional manuscript details and lists printed editions.

A parson is a parish priest. Brewer observed:

Priests were conventionally titled ‘Sir’, better rendered in modern English as ‘Parson’.

Brewer (1996) p. 183, note to tale 3.

With respect to “Be cockis swete wounde” (v. 208), Furrow noted:

A euphemistic swearing by the wounds of Christ, with cock standing in for God as modern gosh does. In medieval Christian theology all three members of the Trinity are equally God, so Christ can be referred to as God just as God the Father can. It is not until 1618 that OED cites the word cock used with the meaning “penis” (see cock n.1, sense 20), but the often anthol­ogized early fifteenth-century lyric “I have a gentil cok” from London, British Library MS Sloane 2393 plays upon the reader’s dawning recognition that the cock in question is not avian. The lyric may mark the early stages of the use of the term for the penis. Given that medieval poets liked to pick oaths with particular significance, cock may well be a pun here, with the sense “penis” playing into the following line in which the philandering priest is threatened with loss of his “harnesse.”

Furrow glosses “harnesse” as “equipment.” It context that word clearly refers to the parson’s testicles. Brewer (1996), p. 58, uses “balls,” which I followed above.

In fifteenth-century England, a hundred pounds was about four times the annualized wages of a laborer or about twice that of a chantry priest. Lorenz (2022). Extorting a hundred pounds from Parson John would have significantly affected his wealth.

[3] Eusebius of Caesarea, Ecclesiastical History {Historia Ecclesiastica / Ἐκκλησιαστικὴ ἱστορία} 6.8, ancient Greek text and English translation (modified slightly) from Oulton (1932). The controversy among Demetirus, Alexander, and Theoctistus, bishops of Alexandria, Jerusalem, and Caesaerea, respectively, is subsequently recounted in Historia Ecclesiastica 6.8.

Origen’s self-castration refers to Origen castrating himself, or Origen having someone else castrate him at his request. Who actually does the castration matters relatively little. The point is seeking to have oneself castrated to be righteous.

Origen was born about 185 GC. He became a catechist at the catechetical school of Alexandria at age eighteen, meaning about 203. He was ordained as a presbyter in 231. Assuming he actually did have himself castrated, Origen probably had himself castrated in the first decade of the third century.

Eusebius apparently disseminated his Historia Ecclesiastica in four editions. Books 1-7 were disseminated circa 295. Barnes (1980) p. 201. Eusebius thus probably composed his account of Origen’s castation only about 90 years after it occurred. Eusebus disseminated the fourth and final edition of his Historia Ecclesiastica in 325.

Whether Origen actually had himself castrated is a matter of scholarly controversy. Eusebius, who became bishop of Caesarea about 314, probably had good textual and personal sources about Origen. Theoctistus, the Archbishop of Caesarea, ordained Origen as a priest. Origen founded a Christian school at Caesarea and became a famous teacher there. Eusebius greatly admired Origen and had no reason to besmirch Origen with a false claim that he castrated himself. Eusebius’s Historia Ecclesiastica devotes more attention to Origen than to any other person.

Eusebius’s account of Origen’s castration has been generally accepted historically. Writing about 399 GC and possibly with additional historicals sources, Jerome declared of Origen:

He so fled from pleasures that in zeal for God, but not according to true knowlege, he cut off his genitals with a knife.

{ voluptates in tantum fugiit, ut zelo dei, sed non secundum scientiam ferro truncaret genitalia }

Jerome, Letter 84, “To Pammachius and Oceanus {Pammachio et Oceano},” section 8, Latin text from Hilberg (1910-18), my English translation, benefitting from that of Freemantle (1892). Dates for this letter range from 398-400 GC. Most authorities in the medieval and early modern period believed that Origen castrated himself. Skuse (2020) p. 379.

Evidence exists that other early Christian men castrated themselves. According to Justin Martyr’s First Apology, which he wrote about 156 GC, a young Christian man had recently petitioned Felix the governor of Alexandria. The young man petitioned for permission to have a surgeon castrate him (the surgeon refused to do the operation without gubenatorial permission). Governor Felix refused to grant permission for the young man’s castration. The young man accepted Felix’s decision and didn’t attempt to castrate himself physically. Justin Martyr, First Apology, section 29.

Writing about 375 GC, Epiphanius of Salamis contemptuously described a sect (“Valesians”) that imposed castration on its members:

Most of them were members of the church until a certain time, when their foolishness became widely known and they were expelled from the church. All but a few are eunuchs, and they have the same beliefs about principalities and authorities that the Sethians, Archontics, and others do. When they take a man as a disciple, as long as he is still un-castrated he does not eat meat. When they convince him to be castrated, or they castrate him by force, he may eat anything, because he has retired from the contest and runs no more risk of being aroused to the pleasure of lust by the things he eats. They do not only impose this discipline on their own disciples. It is widely rumored that they have often made this disposition of strangers when they were passing through and accepted their hospitality. They seize them when they enter, bind them on their backs to boards, and perform the castration by force.

{ Ἐν μὲν τῇ ἐκκλησίᾳ οἱ πλείους συνήγοντο ἕως καιροῦ τινος, ἕως εἰς πλάτος ἦλθεν ἡ αὐτῶν ἄνοια καὶ ἀπεβλήθησαν τῆς ἐκκλησίας. εἰσὶ δὲ πάντες ἀπόκοποι πλὴν ὀλίγων, καὶ αὐτοὶ δὲ περὶ ἀρχῶν καὶ ἐξουσιῶν καὶ ἄλλων οὕτως δοξάζουσι. Ἐν μὲν τῇ ἐκκλησίᾳ οἱ πλείους συνήγοντο ἕως καιροῦ τινος, ἕως εἰς πλάτος ἦλθεν ἡ αὐτῶν ἄνοια καὶ ἀπεβλήθησαν τῆς ἐκκλησίας. εἰσὶ δὲ πάντες ἀπόκοποι πλὴν ὀλίγων, καὶ αὐτοὶ δὲ περὶ ἀρχῶν καὶ ἐξουσιῶν καὶ ἄλλων οὕτως δοξάζουσι. καὶ ὅταν λάβωσιν ἄνθρωπον εἰς μαθητείαν, καθ ὅσον μὲν χρόνον οὔπω τῶν μορίων ἀπετμήθη. ἐμψύχωι τὐ μεταλαμβάιει· ὅταν δὲ πείσωσι τὸν τοιοῦτον ἤ μετὰ ἀνάγκης αὐτὸν ἀποτέμωσι, τότε πᾶν ὁτιοῦ μεταλαμβάνει ὡς ἤδη πεπαυμέιος ἀγῶιος καὶ μηκέτι ἐπικίνδυνος ὤν εἰς τὸ ἐποτρύνεσθαι διὰ τῶν ἐδεσμάτων εἰς ἡδονὴν ἥκειν ἐπιθυμίας. οὐ μόνον δὲ τοὺς ἰδίους τοῦτον ἀπαρτίζουσι τὸν τρόπον, ἀλλὰ πολλάκις καὶ ξέιους παρερχομένους καὶ παρ αὐτοῖς ἐπιξενωθέντα ταύτῃ διέθεντο τῇ ἀγωγῇ. ὡς πολὺς περὶ τούτου θρυλεῖται λόγος. ἀρπάζουσι γὰρ τοὺς τοιούτους ἔνδον καὶ ὀπίσω ἐπὶ συμψελίοις δήσαντες μετὰ ἀνάγκης τὸ χειρότευκτον ἐργάζονται τῆς τῶν μελῶν ἀφαιρέσεως. }

Epiphanius of Salamis, Panarion {Πανάριον} 58, sections 4-7, ancient Greek text from Holl (1915-1933) via Perseus, English translation (modified slightly for ease of reading) from Williams (2013) pp. 100-1.

[4] Men’s sexuality to this day is subject to criminal suspicion. Such criminal suspicion supports castration culture. Caner observed:

self-castration was sometimes adopted by male ascetics to allay suspicion which might otherwise arise from their living with female ascetics.

Caner (1997) p. 398. Advocating for castration helps a man to appear righteous in gynocentric academia today. See, e.g. Keufler (2003), Keufler (2022). Cf. Matthew 6:1.

Advocating for castration in gynocentric academia today works through anxieties, conceptual crises, ambiguities, contradictions, abstractions, and the motive force of opportunities for discussion. The implications are straight-forward:

paradoxes, contradictions, and condemnations — in the context of the crisis of masculinity in the later Roman Empire — enabled Christianity to attract adherents, not only in late antiquity but well beyond that period.

Keufler (2003) p. 297. But irrespective of any historical-conceptual developments, male privilege and the marginalization of women are unquestionable, objective truths with no ambiguity whatsoever:

Whether condoned or condemned, and even for those who saw it as an abdication of masculine identity, castration served as an opportunity to discuss the progress toward spiritual perfection in men. Christian writings of all stripes identified the masculine with the spiritual and the feminine with bodily realities, a logic according to which even incapacitated men stood above all women. Regardless, it reinforced the assumptions of male privilege that were so much a part of the ancient world. As many scholars have reminded us, even the genderless ideal of the early Christians proved all too often to be a universe imagined without women.

Keufler (2022) p. 137. That’s how dominant gynocentric ideology is now socially performed.

[5] Origen, Commentary on the Gospel of Matthew 15.1-6. For the ancient Greek text and an English translation, Gohl (2019). For some analysis concerning Origen’s commentary on Matthew 19:12, Caner (1997) pp. 402-3. Origen’s commentary is extensive and recognizes “somatic” interpretations of “eunuch” in Matthew 19:12. He also describes a physical effect of castration: no growth of facial hair.

Origen wrote his Commentary on the Gospel of Matthew in 244 GC or later. He thus wrote it more than forty years after he reportedly had himself castrated. That’s surely enough time to change one’s mind about a youthful act. Origen’s Commentary on the Gospel of Matthew argues for a spiritual interpretation of all three types of eunuchs in Matthew 19:12. Origen as a mature thinker was known for allegorical interpretation of scripture, not literal interpretation.

Ancient scholars were capable of learning and changing their judgments. Keufler ignored Origen’s recusatio on self-castration, ignored the fundamental seminal blessing in Hebrew scripture, and imagined self-castration to have righteous, abstract significance:

So his self-castration was probably not the result of an “immature mind,” as Eusebius claimed, or an excessive literalism, but an embodiment of his beliefs about human existence, the nature of the universe, and his hope for the future of all things – like the actions of the other self-castrating Christians.

Keufler (2022) p. 138. Is such academic analysis a triumph of the human spirit, or an embodiment of man’s inhumanity to man, or merely a string of banalities less real than farting?

[6] Harley 2253 Manuscript, Booklet 1, Lives of the Fathers {Vitas patrum}, Words of the Elders {Verba seniorum} vv. 3279-85, Old French (Anglo-Norman) text and English translation (modified) from Fein, Raybin & Ziolkowski (2015). Id. associates this exemplum with Matthew 5:28–30. However, Matthew 19:12 is more directly relevant. The two passages are related through harsh regultion of men’s sexuality. On interpreting and translating Matthew 19:10-12, Van Tine (2018).

The Templar Henri d’Arci apparently commissioned this Vitas patrum translation from a priest in London, probably an Austin canon, for the moral and spiritual instruction of Templars of the Temple Bruer near Lincoln. Sinclair (1997). The translation seems to have been made between 1170 and 1180. Fein, Raybin & Ziolkowski (2015), “Art. 1, Vitas Patrum: Introduction.” Another surviving copy of the Verba seniorum translation for Henri d’Arci is in Paris, BnF MS français 24862. For a critical edition of the Verba seniorum of that manuscript and MS Harley 2253, Poureshagh (1976).

The story of the two monks castrating themselves is an exemplum under the theme of humility in admitting one’s own guilt. That’s consistent with Origen’s implicit repentance for his self-castration in his interpretation of Matthew 19:12 in his Commentary on the Gospel of Matthew.

This exemplum survives in the ancient Greek Anonymous Sayings of the Desert Fathers / Apophthegmata Patrum {ἀποφθέγματα τῶν πατέρων}. See N.334/15.111 lines 11-47 in Wortley (2013) pp. 217-19. It was incorporated into the ancient Greek systematic collection of sayings of the desert fathers. Wortley (2012) p. 273. It was translated into Latin as section 5.15.88 of the systemic sayings among Verba seniorum in Vitas patrum. For an edition, Patrologia Latina 73.968-9. Benedict Baker provided a translation / summary of Vitas patrum 5.15.88 in English. Vitas patrum / Vitae patrum has a complex textual history. On that history, Studer (2012) and Baker’s introduction.

Subsequent quotes above from this exemplum are similarly sourced. Those quotes are vv. 3286-96 (So they didn’t do wisely…), 3297-3303 (And the brothers still thought that they’d done well…), 3304-8 (What can I say?…), 3325-34 (Then they said…), 3342 (wretched and guilty), 3350-60 (When God, who knows and sees the hearts of all…).

[7] In the Anglo-Norman translation, the brother citing the exemplum includes his own opinion of the two brothers’ self-castration. Neither the ancient Greek source nor the Vitas patrum recension of Patrologia Latina includes that extradiegetic perspective. Here’s the beginning of the exemplum in the Patrologia Latina recension:

Two worldly men were pious, and after conversing, went out and made themselves monks. Having as a model for themselves the evangelical voice, but not according to true knowledge, castrated themselves as if doing so was fitting for the Kingdom of Heaven. Hearing of this, the archbishop excommunicated them.

{ Duo quidam erant saeculares religiosi, et colloquentes secum egressi sunt, et facti sunt monachi: aemulationem autem habentes vocis evangelicae, sed non secundum scientiam, castraverunt se quasi propter regna coelorum. Audiens autem archiepiscopus, excommunicavit eos }

Latin text of Vitas patrum / De vitis patrum from Patrologia Latina 73.968, my English translation.

[8] Epiphanius of Salamis was Bishop of Cyprus from about 366 to his death in 403. He was honored as a saint and famed as a vigorous defender of Christian orthodoxy. In the exemplum of the two self-castrating brothers, Epiphanius is positioned as the ultimate pious hero. The Anglo-Norman text transmits his prominence in the exemplum by capitalizing his name and giving him the additional title of Master. Master was a medieval address for a learned teacher.

[9] On Ham laughing upon seeing Noah’s genitals, Philo of Alexandria, Questions on Genesis {Quaestiones in Genesim} 2.71 and On Sobriety {De sobrietate} 32. Philo nonetheless favored brutal regulation of men’s sexuality:

It is better to be made a eunuch than to seek insanely illicit unions.

{ ἐξευνουχισθῆναί γε μὴν ἄμεινον ἢ πρὸς συνουσίας ἐκνόμους λυττᾶν. }

Philo, That the Worse is Wont to Attack the Better {Quod deterius potiori insidiari soleat / Περί του το χείρον τω κρείττονι φιλείν επιτίθεσθαι} 48, ancient Greek text and English translation (modified slightly) from Colson & Whitaker (1929). For the context in Philo, cf. Matthew 5:27-32.

[10] Claudius Marius Victor, Truth {Alethia} 3.71-77 (only part of v. 77), Latin text and English translation (modified slightly) from Abosso (2015) pp. 74, 75. Alethia is a 1020-verse hexameter paraphrase of Genesis. Claudius Marius Victor of Marseille composed it in Gaul in the first half of the fifth century. Alethia apparently was meant to instruct students. It survives in one manuscript, BnF Paris, latin 7558. That manuscript was written in the ninth century. For additional text and English translation from Alethia, Kuhnmuench (1929) pp. 331-46.

[11] Anicius Manlius Severinus Boethius, The Consolation of Philosophy {De consolatione philosophiae} 3.9M.22-8, Latin text from Stewart, Rand & Tester (1973), my English translation, benefiting from that of id. James O’Donnell has made freely available a helpful commentary. Boethius composed De consolatione philosophiae in 523 while imprisoned by King Theodoric of the Ostrogoths.

[12] Alcuin of York, Letter 311, To Aethelhard, Archbishop of Canterbury, appended poem, vv. 11-2, Latin text from Dümmler (1895) p. 481, my English translation, benefitting from that of Waddell & Corrigan (1976) p. 189. Alcuin’s poem appended to this letter is poem 50 in Poetarum Latinorum Medii Aevi (1881), vol. 1, pp. 262-3. Here’s more on Alcuin’s writings.

While Alcuin was merely a deacon, his vast learning and his status as an advisor to the Holy Roman Emperor Charlemagne made him an important advisor to bishops. On Alcuin’s relationship to English bishops, Coates (1996).

[images] (1) Eunuch acolytes honor the great mother goddess Cybele. Illumination that Maïtre François made in Paris. c. 1475 in an instance of Raoul de Presles’s French translation of Augustine’s The City of God {La Cité de Dieu}. From folio 341v of manuscript The Hague, MMW, 10 A 11. (2) Hrabanus Maurus and Alcuin of York, Abbot of Tours, present to Archbishop Otgar of Mainz (on right) Hrabanus Maurus’s book, On praise of the holy cross {De laudibus sanctae crucis}. From folio 2v of manuscript Wien, Österreichische Nationalbibliothek, cod.652, made in Mainz or Fulda between 830 and 840. Hrabanus Maurus, who was Alcuin’s student, greatly honored Jesus’s masculinity and the biblical seminal blessing.

References:

Abosso, Daniel H. 2015. A Translation and Commentary on Claudius Marius Victor’s Alethia 3.1-326. Ph.D. Thesis, University of Illinois at Urbana-Champaign.

Barnes, T D. 1980. “The Editions of Eusebius’ Ecclesiastical History.” Greek Roman and Byzantine Studies. 20: 191–201.

Brewer, Derek, ed. 1996. Medieval Comic Tales. 2nd ed. Cambridge U.K: D.S. Brewer.

Caner, Daniel F. 1997. “The Practice and Prohibition of Self-Castration in Early Christianity.” Vigiliae Christianae. 51 (4): 396–415.

Coates, Simon. 1996. “The Bishop As Benefactor and Civic Patron: Alcuin York and Episcopal Authority in Anglo-Saxon England.” Speculum. 71 (3): 529–558.

Colson, F. H. and G. H. Whitaker, ed. and trans. 1929. Philo. On the Cherubim. The Sacrifices of Abel and Cain. The Worse Attacks the Better. On the Posterity and Exile of Cain. On the Giants. Loeb Classical Library 227. Cambridge, MA: Harvard University Press.

Dümmler, Ernst, ed. 1895. Monumenta Germaniae Historica, Epistolae Karolini Aevi. Vol. II. Berlin: Weidmann.

Fein, Susanna Greer, ed. David Raybin, trans. and Jan Ziolkowski,trans. 2015. The Complete Harley 2253 Manuscript. Volume 1. TEAMS Middle English Texts. Kalamazoo, MI: Medieval Institute Publications.

Freemantle, William Henry, trans. 1892.  The Principal Works of St. Jerome.  Philip Schaff, ed. Nicene and Post-Nicene Fathers, 2nd Series, vol. 6. Oxford: Parker.

Furrow, Melissa M., ed. 2013. Ten Bourdes. TEAMS Middle English Texts. Kalamazoo, MI: Medieval Institue Publications.

Gohl, Justin M. 2019. Origen of Alexandria, Commentary on the Gospel according to Matthew, Book 15. Online.

Hilberg, Isidorus, ed. 1910-1918. Sancti Eusebii Hieronymi Epistulae {Letters of Saint Eusebius Hieronymus (Jerome)}. Vindobonae: Tempsky. Corpus Scriptorum Ecclesiasticorum Latinorum (CSEL) 54 (Epistulae 1-70), 55 (Epistulae 71-120), and 56 (Epistulae 120-154).

Holl, Karl, ed. 1915-1933. Epiphanius. Leipzig: Hinrichs.

Kuefler, Mathew. 2001. The Manly Eunuch: Masculinity, Gender Ambiguity, and Christian Ideology in Late Antiquity. Chicago: University of Chicago Press. Review by Hagith Sivan.

Kuefler, Mathew. 2022. “Christian Self-Castration as Mystagogical Practice.” Pp. 121-138 in Paul van Geest and Nienke Vos, eds. Early Christian Mystagogy and the Body. Leuven: Peeters.

Kuhnmuench, Otto J. 1929. Early Christian Latin Poets from the Fourth to the Sixth Century with an Introduction, Translation, Commentary, and Notes. Chicago: Loyola University Press.

Lorenz, Mirko. 2022. “What can we learn from medieval prices and wages?” Datawrapper Blog, February 17, 2022.

Oulton, J. E. L. , ed. and trans. 1932. Eusebius. Ecclesiastical History. Volume II: Books 6-10. Loeb Classical Library 265. Cambridge, MA: Harvard University Press.

Poureshagh, Pamela Susan. 1976. Critical Edition of the Anglo-Norman Rhymed Translation of the Vitas Patrum Dedicated to the Templar Henri d’Arci. Ph.D. Thesis, University of Edinburgh.

Sinclair, Keith V. 1997. “The Translations of the Vitas Patrum, Thaïs, Antichrist, and Vision de Saint Paul Made for Anglo-Norman Templars: Some Neglected Literary Considerations.” Speculum. 72 (3): 741–62.

Skuse, Alanna. 2020. “‘One Stroak of His Razour’: Tales of Self-Gelding in Early Modern England.” Social History of Medicine. 33 (2): 377-393.

Stewart, H. F., E. K. Rand, S. J. Tester, ed. and trans. 1973. Boethius. Theological Tractates. The Consolation of Philosophy. Loeb Classical Library 74. Cambridge, MA: Harvard University Press.

Studer, Monika. 2012. “Vitaspatrum – A Short Summary.” Œuvres Pieuses Vernaculaires à Succès. Online.

Van Tine, R. Jarrett. 2018. “Castration for the Kingdom and Avoiding the αἰτία of Adultery (Matthew 19:10—12).” Journal of Biblical Literature. 137 (2): 399–418.

Waddell Helen, trans. and Felicitas Corrigan, ed. 1976. More Latin Lyrics from Virgil to Milton. London: Gollancz.

Williams, Frank, trans. 2013. The Panarion of Epiphanius of Salamis, Books II and III. De Fide. Second rev. ed. Leiden: Brill.

Wortley, John, trans. 2012. The Book of the Elders: Sayings of the Desert Fathers, The Systematic Collection. Collegeville, MN: Cistercian Publications, Liturgical Press.

Wortley, John, ed. and trans. 2013. The Anonymous Sayings Of The Desert Fathers. Cambridge, UK: Cambridge University Press.

women’s relational aggression and cruelty in Galeran de Bretagne

In Jean Renaut’s medieval romance Galeran de Bretagne, Galeran and Fresne grew to love each other as foster-children raised together. They overcame obstacles as young adults to ultimately marry happily. In contrast to their heartwarming romance, Galeran de Bretagne includes realistic but heightened scenes of women’s relational aggression and cruelty. This shocking within-group behavior replaces the supernatural and marvelous of other medieval romances.

In Gelaran de Bretagne, Lady Gente, whose name signifies the nobility of her birth, was envious of Marsile, the wife of a man who served Lady Gente’s husband. Marsile had a reputation for being wise, worthy, and loyal to her husband. Marsile gave birth to twin boys. At a dinner party, Lady Gente became angry when another women said that Marsile’s twins were beautiful and well-behaved. Lady Gente then declared that, according to clerics and priests, a woman gives birth to twins only if she had sex with two men.[1] In other words, Lady Gente publicly and falsely declared that Marsile committed adultery. Marsile had regarded Lady Gente as her friend. Lady’s Gente’s vicious verbal aggression toward Marsile was unexpected and hurtful.

medieval society

Lady Gente herself subsequently had twins. She knew that she hadn’t committed adultery. She nonetheless was ashamed that others would believe she was an adulteress according to her own claim. Lady Gente thus concealed her birth of twins. She arranged to have her baby twin girl Fresne secretly abandoned at the distant Beauséjour abbey. She acted as a cruel mother for a shameful reason of her own construction.

Fresne grew up in the distant Beauséjour abbey with the abbess Ermine as her godmother. Galeran, the son of Ermine’s sister Countess Yde, was raised with Fresne there. Ermine knew from the cradle, blanket, and money left with the baby Fresne that Fresne was of noble birth. Nonetheless, when Ermine recognized that as young adults Fresne and Galeran loved each other, she was furious. She lamented to herself:

Alas! How crude is this story!
Now my honor will be injured
since a young man that I have nurtured
is made to fall from his honor.
I would have rather torn
Fresne’s breasts from her chest,
even though I be her godmother,
so that Galeran would have always turned away from her!

{ Lasse! com est villain cil contes!
Or sera m’onneur amenrie,
S’une garce que j’ay nourrie
Le fait de s’onneur tresbuchier.
Je li feroie ainçoys sacher
Les mamelles de la poitrine,
Comment que soie sa marrine,
Qu’a tousjours mes ne l’en tournasse! }[2]

Tearing a woman’s breasts from her chest is the sort of sexual violence much more typically directed at men under castration culture. Another day, when Ermine saw Fresne holding a letter from Galeran, Ermine so violently snatched the letter from Fresne’s hand that she tore away skin from one of Fresne’s fingers. For having Galeran, now a Count, as her beloved, Fresne had to endure insults and verbal attacks from almost all the women at the abbey, including those who had been her casual friends. The abbess Ermine viciously disparaged Fresne:

You would like then to take a lord as husband?
You believe that you will then be a queen?
You are hunting well for your own ruin,
like a bawdy and lecherous woman.
Galeran will make you a Countess?
Keep on waiting until he takes you as his wife.
By God, I see well your scheming.
You are trading well for your great shame,
if you believe that you will be the wife of a Count.
But so please God that will never happen.
If you live for another ten years, you’ll be sorry.
For your bread you’ll be combing someone else’s wool
and cleaning outhouses for a halfpenny.

{ Vouldrez vous donc prendre seigneur?
Cuidiez vous donc estre roÿne?
Bien pourchassiez vostre ruÿne
Com garce baude et lecheresse.
Galeren vous fera contesse?
Atendez le tant qu’il vous preigne.
Par Dieu bien voy vostre barcaigne:
Bien barcaignés vostre grant honte
Si vous cuidez fame estre a conte;
Mais si Dieu plaist ja n’avenra;
Ains sachiez qu’il vous convenra,
Se diz ans vivez, avoir peine,
Pour du pain peignier autrui laine
Et de chiez laver pour maaille. }[3]

Ermine ultimately ordered Fresne to leave the abbey, even though Fresne had nowhere to go to live.

Even Esmerée, a woman who took courageous action to promote social justice, had a cruel streak. The knight Guinant loved her, but she loved Galeran. In a joust, Galeran knocked Guinant off his horse. The narrator noted:

Esmerée, who is so white-skinned,
smiled often to herself under her sleeve
at Guinant who at the end of the joust
had been knocked to earth on his side.
Mirth and joy went with his getting thrashed.

{ Esmeree, qui tant est blanche,
A ris souvent dessouz sa manche,
De Guynant qui si a jousté
Qu’a terre en a joint le costé.
Feste et joye en va démenant. }

Feeling joy from the suffering of another is mean-spirited. The narrator observed that Esmerée “held Guinant seized in the flow of her mantle’s laces {le tient priz aux courans laz}.” When Galeran again knocked Guinant off his horse, he gave Guinant’s horse to Esmerée. Esmerée delighted in Guinant’s loss:

She received him well and fittingly,
and so she enjoyed having Guinant
in contempt. She put on him the brunt of her jokes,
while Guinant called himself miserable
because she wouldn’t marry him.
Now from that Galeran had great joy,
he who had put between them discord.

{ Le receut bel et avenant,
Et comment elle en a Guynant
Despit, et mis sur luy ses gaz,
Comment Guynant s’apelle las,
Pour ce qu’elle ne le conjoie.
Or en a Galeren grant joye
Qui a mis entr’ eulx la descorde }

Galeran pandered to Esmerée’s delight in tormenting Guinant. Men should not cater to women’s desire to treat other men badly.

Galeran himself had to endure his beloved Fresne deliberately tormenting him. Believing that Fresne was dead, Galeran agreed to marry Fleurie, who looked very much like Fresne. In fact, unknown to Galeran, Fleurie was actually Fresne’s twin sister. Hearing of Galeran’s plan to marry, Fresne didn’t send an urgent message to Galeran telling him that she was still alive. She instead appeared at the wedding ceremony. There she played on her harp a lay that Galeran had composed for her. That music was an unmistakable message to Galeran:

As soon as Galeran heard the lay,
the blood drained from him without delay,
He didn’t know where he was or what he was doing.
Fresne saw the color drain from his face
and saw that he was silent.
Then she spoke to him against his silence:
“Count Galeran, how your face expresses yourself!
How dear you hold your wife —
you who don’t want to enjoy yourself!
Little must she love you and value you
when you are made to show this appearance to us.
Are you so exhausted by gout,
or by fear, or by greed?
Is it because I might want to have from you
the gift of a mantle or a cloak?
God be thanked, I have enough to have them,
so don’t be so frightened.
Look at him, he thinks himself betrayed
when I speak here of these gifts.
Is the blow that has darkened you
from a sword, or from a lance of ash?”

{ Que que Galeren ot le lay,
Li sancs li mue sans delay,
Ne soit ou il est ne qu’il face;
La couleur li voit en la face
Fresne muer, et sel voit taire;
Dont parole a li par contraire.
“Quens Galerens, com faictes chiere!
Com avez vostre famé chiere,
Qui ne vous voulez envoisier!
Peu vous doit amer et prisier,
Quant si fait semblant nous moustrez.
Estes vous si de goute outrez
Ou de paour ou d’avarice?
Est ce pour mantel ou pour plice
Que je vueille du voustre avoir?
Dieux mercy, j’ay assez d’avoir
Ne soiez ja si esbahiz.
Voiez, il cuide estre trahiz,
Quant je paroi de ces dons cy.
Est ce cops qui vous a nercy
D’espee ou de lance de fresne?” }

In Old French, the name Fresne literally means “ash” tree / wood. Galeran recognized that the woman taunting him was his beloved, long-lost Fresne. Why did Fresne reveal herself to Galeran in such a shockingly cruel way?

Galeran de Bretagne shows a new development in medieval romance. The world of Galeran de Bretagne depicts women’s power not only over their lovers, but also in social relations more generally:

It is a world stripped of the Celtic merveilleux and the Arthurian bric à brac; a world that is at times petty and mediocre, but loving and welcoming as well. In Galeran the antagonists are real people who are prone to human vices and frailties: greed, lies, malicious gossip, misunderstanding, gratuitous calumnies, and the like. The monsters and dragons are within the characters themselves.[4]

Recent scholarly studies have established that women are superior to men in social communication. Women are thus more proficient than men in within-group relational aggression and cruelty. Man’s inhumanity to man is a well-known theme in literary study. Women’s inhumanity to women and men should be equally recognized.

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Notes:

[1] Jean Renaut, Galeran of Brittany {Galeran de Bretagne} vv. 128-172. For the Old French text and an English translation, Foulet (1925) and Beston (2008a), respectively. For general information on Jean Renaut and Galeran de Bretagne, see note [1] in my post on Esmerée.

[2] Galeran de Bretagne, vv. 2984-91, Old French text from Foulet (1925), my English translation, benefiting from that of Beston (2008a).

Subsequent quotes from Galeran de Bretagne are similarly sourced. Those above are vv. 3854-67 (You would like then to take a lord…), 4951-55 (Esmerée, who is so white-skinned…), 5044 (held Guinant seized in the flow of her mantle’s laces), 6267-73 (She received him well and fittingly…), and 7005-25 (As soon as Galeran heard the lay…).

[3] Fresne responded to Ermine’s dire prophecy with an assertion of her intrinsic nobility:

My heart, madame, so guides me
that I do not engage in any other tasks than
reading my Psalter every day,
making works of gold or silk,
listening to tales of Thebes or of Troy,
playing lays on my harp,
and mating others in playing chess
while feeding the bird on my wrist.
Often I have heard my teacher say
that such custom comes from intrinsic nobility.
My heart so wants to direct itself there
that I could never be weary of it.

{ Mon cuer, madame, si m’aprent
Que je ne face aultre mestier
Le jour fors lire mon saultier
Et faire euvre d’or ou de soie,
Oÿr de Thebes ou de Troye,
Et en ma herpe lays noter,
Et aux eschez autruy mater,
Ou mon oisel sur mon poign pestre:
Souvent ouÿ dire a mon maistre
Que tel us vient de gentillesse;
Tant le vueil mon cuer s’i adresse
Que je n’en pourroie estre lasse }

Galeran de Bretagne, vv. 3878-89. Fresne described herself as engaged in the activities of highly privileged medieval women. Most medieval women and men engaged in laborious tasks involving travel outside the home, e.g. drawing water from wells and plowing fields.

[4] Talarico (2002) p. 4. Beston observed:

Renaut’s ongoing questioning of the conventions of the romances of his time points to a certain distancing of himself from romance, the genre to which his poem nevertheless belongs. His attraction to romance is regularly corrected by the harsher realities of daily life.

Beston (2008b) p. 212.

[image] Medieval society: Queen Auffique and her advisors {Reine Auffique et ses conseillers}. Illustration from an instance of Richard de Fournival’s thirteenth-century Way of Love {Commens d’amour}. Detail from folio 5 of Bibliothèque municipale de Dijon, MS 526, made early in the fourteenth century.

References:

Beston, John, trans. 2008a. An English Translation of Jean Renaut’s Galeran de Bretagne, a Thirteenth-Century French Romance. Lewiston, NY: Edwin Mellen Press.

Beston, John. 2008b. “Galeran de Bretagne: Between Romance and Realism.” Neophilologus. 92 (2): 205-215.

Foulet, Lucien, ed. 1925. Jean Renaut. Galeran de Bretagne: Roman du XIIIe Siècle. Paris: É. Champion. Alternate source.

Talarico, Kathryn M. 2002. “‘Un Merveilleux Contraire’: Public and Private Desire in Galeran de Bretagne.” Dalhousie French Studies. 59: 3–20.

Esmerée courageously offered healing to lovesick Galeran

Like Floire and Blancheflor, Galeran of Brittany and Fresne of Normandy grew up together in a medieval French abbey as if they were brother and sister. They actually were born from different parents. They came to love each other in the way of woman and man who desire to be one. They pledged eternal love to each other and mutually promised to marry when the time was suitable. Fresne and Galeran, however, lost contact as young adults. Compassionately recognizing Galeran lovesickness, the beautiful, noble young woman Esmerée offered to have sex with him.

Esmerée’s healing initiative occurred in the the court of her father, Duke Heliman of Metz. Galeran had become Count of Brittany and a highly respected young man. He went to Metz to earn knighthood from Duke Heliman. Galeran, however, was gravely lovesick for Fresne. Courtiers at Metz speculated that Galeran was in love with Esmerée, the duke’s daughter. Esmerée herself ardently loved Galeran. But she was reluctant to forego traditional female privilege in seeking amorous relationships:

medieval woman rejecting man in love

“In the end it’s necessary for me to reveal,”
said Esmerée to herself,
“to Galeran what I am thinking,
because it’s good to seek to be healthy.
How? Do you therefore want to request
the Breton’s love first of all?
For all my days that would give me in front
of all such unpleasantness and such shame.
Well, so what? It doesn’t matter to anyone
if I should happen to make myself a fool.
And I don’t have control over myself,
for Love so dominates me and judges me,
in the place of me let Love be accused
and let Love be proceeded to rebuke.
If I fail to escape my misery,
abandoned to my wicked pride,
I will keep making a wicked mistake.
So I should tell him, in order to be wise.
But if he would be so outrageous
that he would not want to receive my love,
all the shame will accrue to him.
It wouldn’t be exchanged to me.
Then I would be his lover
and he would love me better than another.
So I leave it to Love and to him.”
The young woman thus analyzed her situation.
Hence she was made to say her desire by the power
of the love that burned her and pricked her.

{ “En la fin m’estuet il ouvrir,”
Fait Esmeree en son pouppens,
“A Galeren ce que je pens,
Car la santé est bonne a querre.
Comment? Veulx tu doncques requerre
Le Breton d’amours tout avant?
Tousjours mes te seroit davant
Mis ytel ledure et tel honte.
Cui chaut, puisqu’a nulli ne monte
Fors a moy si je faz folie?
Et quant je n’ay de moy baillie,
Qu’Amours me mestroie et justise,
En lieu de moy en soit reprise
Et seue en soit la reprouvance.
S’issir hors de ma mesestance
Lessoie par maulvés orgueil,
Gardé avroye en maulvés fueil.
Se li dy, pour ce seray sage.
Mais s’il a en li tant d’oultrage
Que recevoir m’amour ne veille
Toute la honte l’en accueille;
Qu’a moy ne vendra elle mie.
Puis que je seroie s’amie
Et il ameroit mielx autruy:
Si le les Amour et a luy.”
Ainsi devise la pucelle.
Ce li fait dire l’estencelle
De s’amour qui l’eschaufe et point. }[1]

If a man solicits love from a woman who doesn’t welcome his amorous advance, then he’s a shameful sexual harasser. If a woman solicits love from a man, and he rejects her, he acts shamefully. If she then falsely accuses him of attempted rape, who expresses concern within gynocentric society? Esmerée understood these pressing concerns of social justice. She thus resolved to tell Galeran of her love for him.

Esmerée’s mother, the Duchess of Metz, was very fond of Galeran. She called him her son. She also often summoned him to visit her. She would have him sit by Esmerée as she and Esmerée entertained him. The noble and charming Esmerée provided warm and enjoyable company. She would raise Galeran’s spirit and soothe his broken heart.

One day, seeking to lift his depression and divert his heart, Galeran visited Esmerée. The lovesick Galeran was sad and pensive. Esmerée was attentive to him. She took a chaplet off her head and lovingly arranged it on his head. Then she gazed directly into his eyes and said:

Galeran, brother, it is my opinion,
as a young woman secretly makes,
that you have under the armpit
a hidden wound by which you hurt,
where it doesn’t have use of an opening,
that is you have a wound without a hole.
Not known by urine tester or by inquiry,
your illness apart from your complexion is hidden.
If you feel pain in your heart
that is causing you grief by being hidden,
you should very well uncover it
and show it where you believe
that you might find relief for your malady.
Tell me if you see what I am saying to you.

{ Galeren, frere, il m’est avis,
Fait priveement la pucelle,
Que vous estes dessouz l’esselle
D’une plaie bleciez oscure,
Ou il ne pert point d’ouverture;
Ainz avez playe sans pertuis.
Congnoistre n’oriner ne ruis
Voustre mal fors a la couleur.
Se vous sentez au cuer douleur
Qui vous voist grevant par covrir,
Vous la devez moult bien ouvrir
Et moustrer la dont vous cuidiez
De vostre mahaign estre aidiez.
Dictes moy si je vous dy voir. }[2]

An intelligent and active young woman, Esmerée of course didn’t consider herself to be merely a hole. But she understood what men need to be cured of lovesickness.[3]

Galeran understood that Esmerée wanted to be his lover. But Galeran had given his heart to Fresne. Esmerée’s words made him dream of being with Fresne. Esmerée realized that she needed to be more direct. Not asking for his affirmative consent, she embraced Galeran. Then she said:

Galeran, brother,
have toward me a bright face.
If you don’t hold me to be presumptuous,
I am totally at your command
in order to free you of this malady.

{ Galeren, frere,
Aiez vers moy la chiere clere.
Si ne me tenez a estoute,
Si je suis en vo commant toute
Pour vous oster de ce mahaign. }

Galeran courteously responded that no medicine could cure him of his wound. Galeran didn’t believe in universal medicine. Only Fresne could heal his wound.

Esmerée was disappointed with Galeran’s lack of interest in well-established medicine. Nonetheless, she treated him with respect and continuing compassion. She told him:

Then I was foolish to think to heal you.
Doing that was like wanting to drink the sea
— when I took on the suffering of loving you —
and nonetheless I want to love you.
I won’t desist on account of your haughtiness,
because to love well one must be humble.
Since I am beyond my own power,
and I have placed myself entirely in yours,
I will minister to your nobleness
until it accepts and consents
to where I have turned my desire.

{ Donc ay je eü fol cuidier.
Fait celle, et vueil boire la mer,
Quant je met peine a vous amer.
Et ne pourquant amer vous vueil,
Ja ne leray pour voustre orgueil,
Car qui bien ayme il se humilie.
Puis que hors suis de ma baillie,
Et en vous me suis du tout mise,
Je verrai vostre gentillise
Tant qu’elle s’acort et assente
La ou j’ay tournée m’entente. }

In short, she didn’t take no for an answer. No, however, was the enduring answer. Galeran continued to treat Esmerée respectfully, but he never allowed himself to be her lover, no matter how lovesick he felt for the absent Fresne.

medieval woman offering her heart to a man

From their commanding position in medieval society, medieval women had compassion for men. Not only striving to cure men of lovesickness, medieval women slayed monsters for men. Medieval women defended their men from devilish castration. When their beloved men were in love with another woman, medieval women acted with extraordinarily generous love. In medieval society, women and men venerated Mary, the mother of Jesus, as the fully and no more than human brilliant example of merciful and generous love. Modern societies cannot aspire to restore such love instantaneously. A good start, however, would be for more persons to study and appreciate the courage, initiative, and generosity of Esmerée in love for Galeran.

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Notes:

[1] Jean Renaut, Galeran of Brittany {Galeran de Bretagne} vv. 4498-525, Old French text from Foulet (1925), my English translation, benefiting from that Beston (2008a). For a summary of this romance, Barrow (1924) pp. 131-2 (where it’s titled Galerent), and Beston (2008b).

Nothing is known about Jean Renaut other than what can be inferred from Galeran de Bretagne, his only known work. Jean Renaut is now generally regarded to be a different person than Jean Renart.

Jean Renaut is thought to have composed Galeran de Bretagne at the end of the twelfth century or at the beginning of the thirteenth century. This romance survives in only one manuscript: Paris, Bibliothèque nationale de France, français 24042, written in the fifteenth century.

Jean Renaut’s romance Galeran de Bretagne shares central structures with Marie de France’s lay Le Fresne. Both involve female twins that are separated at at birth and who as young women love the same young man. The discovery of identity and resulting marriage is similarly structured in both works. Jean Renaut, however, emphasizes disparity in rank as an obstacle to marriage and Christian moral teaching much more so than does Marie de France. Beston (2008a) p. 5.

In Galeran de Bretagne, Guinant, the Duke of Austria, ardently loved Esmerée. She, however, wasn’t interested in him. Jealous of Esmerée’s love for Galeran, Guinant instigated horrific violence against men, including against Galeran. A modern scholar declared:

Modern narrative art would either reject the Esmerée-Guynant episode altogether and rely for its contribution to the theme upon the Fleurie episode, or condense it and give it greater dynamic plot value.

Barrow (1924) p. 73. Violence against men is regrettably conventional in epic and medieval romance. In her specific references to Galeran’s wound and its cure, Esmerée’s concern for Galeran’s lovesickness isn’t conventional. Barrow, Beston, and many others haven’t adequately appreciated Esmerée in Galeran de Bretagne.

Another Old French romance from the early 1170s witnesses to men’s gender burden in soliciting amorous relationships. The matter concerns Ille (a man) and Galeron (a woman):

Ille did not know that she loved him,
nor did Galeron know that he loved her,
for she was of so very high rank
that he did not dare reveal his love for her,
and she would not reveal her love to him
first for anything that was,
because it’s not fitting for a woman to say
“I want to be your lover”
if a man has not previously requested her love
and spent a long time in her service.

{ ne Illes nel set de celi,
ne Galerons que cil aint li,
car cele est si tres haute cose
que cil descouvrir ne li ose,
n’ele ne li descoverroit
premierement por rien qui soit,
qu’il n’afiert pas que feme die
“Je voel devenir vostre amie,”
por c’on ne l’ait ançois requise
et mout esté en son service. }

Gautier d’Arras, Ille and Galeron {Ille et Galeron}, vv. 1217-26, Old French text and English translation (modified slightly) from Eley (1996).

Subsequent quotes from Galeran de Bretagne are similarly sourced. The three subsequent quotes above are from Galeran de Bretagne, vv. 4558-571 (Galeran, brother, it is my opinion…), 4581-85 (Galeran, brother, / have toward me a bright face…), 4598-608 (Then I was foolish to think to heal you…).

[2] Examining a patient’s urine was a common practice in ancient medicine. At the abbey of Beauséjour, where Fresne and Galeran were raised, the chaplain Lohier observed Fresne lovesick and declared:

The heart doesn’t have what it wants.
Your complexion witnesses this to me.
I see your maladies and your pains
like one sees them in the urine.

{ Le cuer n’a mie ce qu’il veult,
Ce me tesmoigne vo couleurs:
Je voy les maulx et les douleurs
Aussi com en voit en l’orine }

Galeran de Bretagne, vv. 1458-61. Fresne confessed to Lohier that she was lovesick for Galeran. She said that he loves her more than Paris loved Helen, and that she loves him more than Yseult ever loved Tristan. Fresne insisted that she hadn’t done any serious wrong. She declared that she hadn’t delivered her body to shame and dishonored herself. She meant that she didn’t have sex with Galeran even though she loved him and they planned to marry.

[3] Beston characterizes Jean Renaut as “conservative and deeply religious in orthodox Christian terms.” Beston (2008c) p. 214. Such persons in westernized countries today wouldn’t speak so frankly about men’s sexual needs. Persons of different viewpoints spoke relatively freely in medieval Europe.

[images] (1) Medieval woman rejecting man’s love offering. Illustration from instance of Richard de Fournival’s thirteenth-century Way of Love {Commens d’amour}. Detail from folio 7r of Bibliothèque municipale de Dijon, MS 526, made early in the fourteenth century. (2) Medieval woman offering her heart to a man. Illumination on folio 59r of the Alexander Romance in Bodleian Library MS. Bodl. 264, pt. I. A scribe wrote this leaf in Picardian French, the dialect of Flanders, in 1338. The Tournai illuminator Jehan de Grise and his atelier illustrated it in 1344.

References:

Barrow, Sarah F. 1924. The Medieval Society Romances. New York: Columbia University Press.

Beston, John, trans. 2008a. An English Translation of Jean Renaut’s Galeran de Bretagne, a Thirteenth-Century French Romance. Lewiston, NY: Edwin Mellen Press.

Beston, John. 2008b. “Une bele conjointure: the structure of Galeran de Bretagne.” Neophilologus. 92 (1): 19-33.

Beston, John. 2008c. “Galeran de Bretagne: Between Romance and Realism.” Neophilologus. 92 (2): 205-215.

Eley, Penny, ed. and trans. 1996. Gautier d’Arras. Ille et Galeron. London: King’s College London Centre for Late Antique & Medieval Studies.

Foulet, Lucien, ed. 1925. Jean Renaut. Galeran de Bretagne: Roman du XIIIe Siècle.. Paris: É. Champion. Alternate source.